country is flat, but its monotony is broken up by the noble character and disposition of its woods. Near the house is a fine expanse of water, across which the eye falls on fine views, particularly to the south, of Windsor Castle, Cooper's Hill, and the Forest Woods. About three hundred yards from the north front of the house stands a column, sixty-eight feet high, bearing on the top a colossal statue of Sir Edward Coke, by Rosa. The woods of the park shut out the view of West-End House, Gray's occasional residence, but the space is open from the mansion across the park, so as to take in the view both of the church and of a monument erected by the late Mr. Penn to Gray. Alighting from the carriage at a lodge, we enter the park just at the monument. This is composed of fine freestone, and consists of a large sarcophagus, supported on a square pedestal, with inscriptions on each side. Three of them are selected from the Ode on Eton College and the Elegy. They are: Hard by yon wood, now smiling as in scorn, Muttering his wayward fancies he would rove; One morn I miss'd him on the custom'd hill, Nor up the lawn, nor at the wood was he. The second is from the Ode: Ye distant spires, ye antique towers, Ah, happy hills! ah, pleasing shade! Ah, fields belov'd in vain! Where once my careless childhood stray'd, A stranger yet to pain! *The eight lines that follow in the poem are not in the inscription, though Howitt gives them.-Ed. I feel the gales that from ye blow, The third is again from the Elegy: Beneath those rugged elms, that yew-tree's shade, The rude forefathers of the hamlet sleep The breezy call of incense-breathing morn, The swallow twittering from the straw-built shed, No more shall rouse them from their lowly bed. The fourth bears this inscription: This Monument, in honour of Was erected A.D. 1799, Celebrated by that great Lyric and Elegiac Poet. And lies unnoted in the Church-yard adjoining This monument is in a neatly kept garden-like enclosure, with a winding walk approaching from the shade of the neighbouring trees. To the right, across the park, at some little distance, backed by fine trees, stands the rural little church and churchyard where Gray wrote his Elegy, and where he lies. As you walk on to this, the mansion closes the distant view between the woods with fine effect. The church has often been engraved, and is therefore tolerably familiar to the general reader. It consists of two barn-like structures, with tall roofs, set side by side, and the tower and finely tapered spire rising above them at the northwest corner. The church is thickly hung with ivy, where "The moping owl may to the moon complain Of such as, wandering near her secret bower, The structure is as simple and old-fashioned, both without and within, as any village church can well be. No village, however, is to be seen. Stoke consists chiefly of scattered houses, and this is now in the midst of the park. In the churchyard, "Beneath those rugged elms, that yew-tree's shade, Where heaves the turf in many a mouldering heap, The rude forefathers of the hamlet sleep." All this is quite literal; and the tomb of the poet himself, near the southeast window, completes the impression of the scene. It is a plain brick altar tomb, covered with a blue slate slab, and, besides his own ashes, contains those of his mother and aunt. On the slab are inscribed the following lines by Gray himself: "In the vault beneath are deposited, in hope of a joyful resurrection, the remains of Mary Antrobus. She died unmarried, Nov. 5, 1749, aged sixty-six. In the same pious confidence, beside her friend and sister, here sleep the remains of Dorothy Gray, widow; the careful, tender mother of many children, ONE of whom alone had the misfortune to survive her. She died, March 11, 1753, aged LXXII." No testimony of the interment of Gray in the same tomb was inscribed anywhere till Mr. Penn, in 1799, erected the monument already mentioned, and placed a small slab in the wall, under the window, opposite to the tomb itself, recording the fact of Gray's burial there. The whole scene is well worthy of a summer day's stroll, especially for such as, pent in the metropolis, know how to enjoy the quiet freshness of the country and the associations of poetry and the past. |