31. Yet couldst thou learn, that thus it fares with age, But why should foresight thy fond heart alarm? 32. When the long-sounding curfew from afar* J Young Edwin, lighted by the evening star, Lingering and listening, wandered down the vale. 1 * I believe I took notice, before, of this excess of alliteration, long, loaded, loud lament, lonely, lighted, lingering, listening; though the verses are otherwise very good, it looks like affectation.-Gray. Upon this Dr. Beattie remarks: "It does so, and yet it is not affected. I have endeavoured once and again to clear this passage of those obnoxious letters, but I never could please myself. Alliteration has great authorities on its side, but I would never seek for it; nay, except on some very particular occasions, I would rather avoid it. When Mr. Gray, once before, told me of my propensity to alliteration, I repeated to him one of his own lines, which is indeed one of the finest in poetry Nor cast one longing lingering look behind." There would he dream of graves, and corses palė; Or blast, that shrieks, by fits, the shuddering aisles along, 33. Or, when the setting moon, in crimson dy'à, Hung o'er the dark and melancholy deep, To haunted stream, remote from man he hied, Where Fays of yore their revels wont to keep; And there let Fancy roam at large, till sleep A vision brought to his entranced sight. And first, a wildly-murmuring wind 'gan creep, Shrill to his ringing ear; then tapers bright, With instantaneous gleam, illum'd the vault of Night. 34. Anon, in view, a portal's blazon'd arch The long-rob'd minstrels wake the warbling wire, And some with mellow breath the martial pipe inspire. 35. With merriment, and song, and timbrels clear, The little warriors doff the targe and spear, And loud enlivening strains provoke the dance. They meet, they dart away, they wheel askance; Of tapersy gems, and gold, the echoing forests blaze. 36.* The dream is filed. Proud harbinger of day, * St. 34, 35, 36. Sure you go too far in lengthening a stroke of Edwin's character and disposition into a direct narrative, as of a fact. In the mean time, the poem stands still, and the reader grows impatient. Do you not, in general, indulge a little too much in description and reflection? This is not my remark only; I have heard it observed by others; and I take notice of it here, because these are among the stanzas that might be spared: they are good, nevertheless, and might be laid by, and employed elsewhere to advantage.-Gray. Upon this Dr. Beattie observes, "This remark is perfectly just. All I can say is, that I meant, from the beginning, to take some latitude in the composition of this poem, and not to confine myself to the epical rules for narrative. In an epic poem, these digressions and reflections, &c. would be unpardonable." + This expression, says Sir W. Forbes, alludes to a singular, but deep-rooted aversion, which Dr. Beattie all his life evinced for the crowing of a cock. O to thy cursed scream, discórdant still, Thy boastful mirth let jealous rivals spill, 2014 And ever in thy dreams the ruthless fox appear.. Forbear, my Muse. Let love attune thy line. But who the melodies of morn can tell? The wild brook babbling down the mountain side; The lowing herd; the sheepfold's simple bell; The pipe of early shepherd dim descried In the lone valley; echoing far and wide The hum of bees, the linnet's lay of love, 39. The cottage curs at early pilgrim bark; Thro' rustling corn the hare astonish'd springs; Slow tolls the village-clock the drowsy hour; The partridge bursts away on whirring wings; Deep mourns the turtle in sequester'd bower, And shrill lark carols clear from her aerial tour 40. O Nature, how in every charm supreme! 41. Hence! ye, who snare and stupify the mind, Hence to dark Error's den, whose rankling slime First gave you form! hence! lest the Muse should deign (Tho' loth on theme so mean to waste a rhyme,) With vengeance to pursue your sacrilegious crime. * Spite of what I have just now said, this digression pleases me so well, that I cannot spare it.-Gray. |