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[Seizing him, and turning hum round to L.] Now, sir, your ears shall be longer, if you do not tell me who is with her in the grotto. Ped. In the grotto, sir! Did I say anything about the grotto: I–I only meant that Car.
[Seizing him, and turning hum round to L.] Now, sir, your ears shall be longer, if you do not tell me who is with her in the grotto. Ped. In the grotto, sir! Did I say anything about the grotto: I–I only meant that Car.
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Pray tell me the name of that one ; I am sure it must be the most elegant and captivating in the world . I am impatient to know it . We'll have no other instrument in Spain , and I will study to become its master , that I may woo you ...
Pray tell me the name of that one ; I am sure it must be the most elegant and captivating in the world . I am impatient to know it . We'll have no other instrument in Spain , and I will study to become its master , that I may woo you ...
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Tell me your business , honest man , " says he ; " I'll see you damn'd first , sir , " says I ; " I'll tell it your betters , and that's Mr. Francis Rochdale , Esquire . " Frank . Zounds ! then why don't you tell it ?
Tell me your business , honest man , " says he ; " I'll see you damn'd first , sir , " says I ; " I'll tell it your betters , and that's Mr. Francis Rochdale , Esquire . " Frank . Zounds ! then why don't you tell it ?
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Cumberland's British Theatre: With Remarks Biographical and Critical, Том 36 George Daniel,John Cumberland Просмотр фрагмента - 1826 |
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Aladdin Apartment appears arms Beda Blue Brus Bull captain castle character comes Crossing daughter dear death Diana don't Donna door dress Enter Exeunt Exit eyes face fall father Fatima fear follow Frank Gil Blas give Grace hand happy head hear heard heart Helen hold honour hope hour I'll keep kind Lady lamp Laughing leave letter live look Lord Lump Malvina married Mary master mean never night O'Slash Officers Olivia pass play poor pray pretty prisoners rises SCENE slave soldier STAGE sure tell thee There's thing thou thought turn wife wish woman young