Down to my voiceless chamber; for thy love Though bought with burning tears! It is the sting In this cold world! What were it then, if thou, THE WIDOW OF CRESCENTIUS.* PART I. 'MIDST Tivoli's luxuriant glades, * 66 In the reign of Otho III. Emperor of Germany, the Romans, excited by their Consul, Crescentius, who ardently desired to restore the ancient glory of the republic, made a bold attempt to shake off the Saxon yoke, and the authority of the Popes, whose vices rendered them objects of universal contempt. The Consul was besieged by Otho in the Mole of Hadrian, which, long afterwards, continued to be called the Tower of Crescentius. Otho, after many unavailing attacks upon the fortress, at last entered into negotiations; and pledging his imperial word to respect the life of Crescentius, and the rights of the Roman citizens, the unfortunate leader was betrayed into his power, and immediately beheaded, with many of his partisans. Stephania, his widow, concealing her afflic tion and resentment for the insults to which she had been exposed, secretly resolved to revenge her husband and herself. On the return of Otho from a pilgrimage to Mount Gargana, which perhaps, a feeling of remorse had induced him to undertake, she found means to be introduced to him, and to gain his confidence; and a poison administered by her was soon afterwards the cause of his painful death."-See Sismondi, History of the Italian Republics, vol. i. No tree, no shrub its foliage rears, But o'er the wrecks of other years, There the wild fig tree and the vine Was it for this that many a pile, Pride of Illissus and of Nile, Now Athens weeps her scatter'd fanes, Each relic utters Fate's decree, The future as the past shall be. Halls of the dead! in Tiber's vale, Who now shall tell your lofty tale? Who trace the high patrician's dome, Sunk is thy palace, but thy tomb, Hadrian! hath shared a prouder doom, Though vanish'd with the days of old Its pillars of Corinthian mould; And the fair forms by sculpture wrought, Each bodying some immortal thought, Which o'er that temple of the dead, Serene, but solemn beauty shed, Have found, like glory's self, a grave In Time's abyss or Tiber's wave: Yet dreams more lofty, and more fair, Than art's bold hand hath imaged e'er, High thoughts of many a mighty mind, Expanding when all else declined, In twilight years, when only they Recall'd the radiance pass'd away, Have made that ancient pile their home, Fortress of freedom and of Rome. There he, who strove in evil days, Crescentius long maintain'd the strife, There closed De Brescia's mission high, Whose thoughts so long from earth hath fled, They vainly sought a dwelling-place, For thou, when all around thee lay 'Tis morn, and Nature's richest dyes Are floating o'er Italian skies; Tints of transparent lustre shine Along the snow-clad Apennine; The clouds have left Soracte's height, And yellow Tiber winds in light, Where tombs and fallen fanes have strew'd The wild Campagna's solitude. 'Tis sad amidst that scene to trace Those relics of a vanish'd race; Yet o'er the ravaged path of time, Holds her triumphant festival; E'en desolation wears a smile, Where skies and sunbeams laugh the while; And Heaven's own light, Earth's richest bloom, Array the ruin and the tomb. But she, who from yon convent tower Breathes the pure freshness of the hour; She, whose rich flow of raven hair Streams wildly on the morning air; Heeds not how fair the scene below, Robed in Italia's brightest glow, Though throned 'midst Latium's classic plains. And they, the Pleiades of the earth, While she, his anxious bride, who now Sought refuge in the hallow'd fane, |