Indian Music in Performance: A Practical Introduction

Abdul Wahid Khan accompanist alap alap phrases Ali Akbar Khan aroh-avroh ascent audience avritti baya Bhairvi bowed instruments cassette Chatur Lal clap composition concert Delhi Dhab dhin dhrupad drone drum fast finger gamak gharana harmonium heptatonic Hindu important improvisation Indian classical music Indian music Indian musicians jhala khali khyal kind lahra learnt listener lower octave main artist Marva master matras melody mukhra North Indian classical notation notes per bow pakhavaj palta particular rag performance peskar playing strings practice rag Sri Ram Narayan rasa repertoire rhythmic sahnai samvadi Sanskrit sarangi player sarod scale singing sitar slow solo sound srutis sthayi and antra sthayi refrain style sung syahi sympathetic strings tabla accompaniment tabla bol tabla player tals tambura tans technique tempo theka tihai Tintal tradition tuned typical Udaipur Ustad usually vadi and samvadi vadya vibhags Vilayat Khan vina vocal music words