Keep my accounts, and order my affairs; THE father of this dramatic poet was attached to the family of Henry, the second Earl of Pembroke, and died in the service of that honourable house. The name of a servant carried with it no sense of degradation in those times, when the great lords and officers of the court numbered inferior nobles among their followers. On one occasion the poet's father was the bearer of letters from the Earl of Pembroke to Queen Elizabeth; a circumstance which has been justly observed to indicate that he could be no mean person, considering the punctilious respect which Elizabeth exacted from her courtiers. Wife. Will the tide never turn? was ever woman Thus burden'd with unhappy happiness? Did I from riot take him, to waste my goods, And he strives to augment it? I did mistake him. PHILIP MASSINGER. [Born; 1584. Died, 1640.] Massinger was born at Salisbury, or probably at Wilton, in its neighbourhood, the seat of the Earl of Pembroke, in whose family he also appears to have been educated. That nobleman died in the poet's sixteenth year, who thus unfortunately lost whatever chance he ever had of his protecting kindness. His father continued indeed in the service of the succeeding earl*, who was an accomplished man, a votary of the muses, and one of the brightest ornaments of the court of Elizabeth and James; but he withheld his patronage from a man of genius, who had claims to it, and would have done it honour, for reasons that have not been distinctly explained in the scanty and sorrowful history of the poet. Mr. Gifford, dissatisfied with former reasons alleged for this neglect, and convinced from the perusal of his writings that Massinger was a catholic, conjectures that it may be attributed to his having offended the earl by having apostatised while at the university to that obnoxious faith. He was entered as a commoner of St. Alban's Hall, Oxford, in his eighteenth year, where he continued only four years. Wood and Davies conclude that he missed a degree, and was suddenly withdrawn from the university, in consequence of Pembroke's disapprobation of his attachment to poetry and romances, instead of logic and philosophy. Mr. Gifford prefers the *William, the third Earl of Pembroke. Doct. Spoil not a good text with a false comment; All these are blessings, and from heaven sent ; It is your husband's good, he's now transform'd To a better shade, the prodigal's return'd. Come, come, know joy, make not abundance scant; You 'plain of that which thousand women want. authority of Langbaine, that he was not supported at all at Oxford by the Earl of Pembroke, but by his own father, and concludes that he was withdrawn from it solely by the calamitous event of his death. Whatever was the cause, he left the university abruptly, and coming to London, without friends, or fortune, or profession, was, as he informs us himself, driven by his necessities to the stage for support. From the period of his arrival in London in 1606 till the year 1622, when his Virgin Martyr appeared in print, it is sufficiently singular that we should have no notice of Massinger, except in one melancholy relic that was discovered by Mr. Malone in Dulwich college, namely, a letter subscribed by him and two other dramatic poets +, in which they solicit the advance of five pounds from the theatrical manager, to save them from the horrors of a gaol. The distressful document accidentally discovers the fact of Massinger having assisted Fletcher in one of his dramas, and thus entitles Sir Aston Cokayne's assertion to belief, that he assisted him in more than one. Though Massinger therefore did not appear in print during the long period already mentioned, his time may be supposed to have been partly employed in those confederate undertakings which were so common during the early vigour of our stage; and there is the strongest presumptive evidence that he was also engaged in plays of his own composition, which have been lost to the world among those literary treasures that perished by the neglect of Warburton, the Somerset herald, and the unconscious sacrilege of his cook. Of Massinger's fame for rapidity in composition Langbaine has preserved a testimony in the lines of a contemporary poet: after the date of his first printed performance those of his subsequent works come in thick succession, and there can be little doubt that the period preceding it was equally prolific. Of his private life literally nothing can be said Nathaniel Field and Robert Daborne. to be known, except that his dedications bespeak incessant distress and dependence, while the recommendatory poems prefixed to his plays address him with attributes of virtue, which are seldom lavished with flattery or falsehood on those who are poor. In one of his dedications he acknowledges the bounty of Philip, Earl of Montgomery, the brother to that Earl of Pembroke who so unaccountably neglected him; but warm as Massinger's acknowledgments are, the assistance appears to have been but transitory. On the 17th of March, 1640, having gone to bed in apparent health the preceding night, he was found dead in the morning, in his own house, in the Bank-side. He was buried in the church-yard of St. Saviour's, and his fellowcomedians attended him to the grave; but it does not appear from the strictest search that a FROM THE DUKE OF MILAN," A TRAGEDY. Sforza, Duke of Milan, in his passionate attachment to his wife Marcelia, cannot endure the idea of her surviving him, and being called out to war, leaves an order to his favourite Francisco, that in the event of his falling in the contest he should put the duchess to death. Marcelia's discovery of this frantic order brings on the jealousy and deaths that form the catastrophe of the piece. MARCELIA TEMPTED BY FRANCISCO. Fran. LET them first know themselves, and how you are To be served and honour'd; which, when they confess, You may again receive them to your favour: And then it will show nobly. Mar. With my thanks The duke shall pay you his, if he return To bless us with his presence. Fran. There is nothing That can be added to your fair acceptance; Marc. From you, I take this As loyal duty; but, in any other, You are so rare and excellent in all things, stone or inscription of any kind marked the place where his dust was deposited; even the memorial of his mortality is given with a pathetic brevity, which accords but too well with the obscure and humble circumstances of his life-" March 20, 1639-40, buried Philip Massinger, a stranger *;" and of all his admirers only Sir Aston Cokayne dedicated a line to his memory. Even posterity did him long injustice: Rowe, who had discovered his merits in the depth of their neglect, forbore to be his editor, in the hopes of concealing his plagiarism from the Fatal Dowry+; and he seemed on the eve of oblivion, when Dodsley's reprint of our old plays brought him faintly into that light of reputation, which has been made perfectly distinct by Mr. Gifford's edition of his works. Fran. Pardon, therefore, madam, If an excess in me of humble duty Teach me to hope, and though it be not in The power of man to merit such a blessing, My piety, for it is more than love, May find reward. Marc. You have it in my thanks; And, on my hand, I am pleased that you shall take A full possession of it: but, take heed That you fix here, and feed no hope beyond it; If you do, it will prove fatal. Fran. Be it death, And death with torments tyrants ne'er found out, Yet I must say, I love you. Marc. As a subject; And 'twill become you. Fran. Farewell circumstance ! And since you are not pleased to understand me, But by a plain and usual form of speech; All superstitious reverence laid by, I love you as a man, and, as a man, I would enjoy you. Why do you start, and fly me? Marc. Keep off. O you Powers !— Libidinous beast! and, add to that, unthankful! A crime which creatures wanting reason fly from; Are all the princely bounties, favours, honours, Which, with some prejudice to his own wisdom, Thy lord and raiser hath conferr'd upon thee, In three days' absence buried? Hath he made thee, A thing obscure, almost without a name, [* The real entry is, "1639. March 18. Philip Massinger, stranger"-that is, a non-parishioner; but it has hitherto been quoted as Mr. Campbell has quoted it.] In The Fair Penitent. The envy of great fortunes? Have I graced thee, Marc. The devil may plead mercy, And with as much assurance, as thou yield one. Fran. "Tis acknowledged, madam, That your whole course of life hath been a pattern Fran. You'll say I am modest, When I have told the story. Can he tax me, Marc. Bless me, good angels, Or I am blasted! Lies so false and wicked, Upon my weak credulity, tell me, rather, Fran. O innocence abused! simplicity cozen'd! It were a sin, for which we have no name, To keep you longer in this wilful error. Read his affection here ;-[Gives her a paper.] -and then observe How dear he holds you! 'Tis his character, Marc. 'T his hand, I'm resolved of it. I'll try What the inscription is. Fran. Pray you, do so. Marc. (reads.) You know my pleasure, and the hour of Marcelia's death, which fail not to execute, as you will answer the contrary, not with your head alone, but with the ruin of your whole family. And this, written with mine own hand, and signed with my pricy signet, shall be your sufficient warrant. LODOVICO Sforza. I do obey it; every word's a poniard, Fran. What have I done! Marc. Sforza's! stand off; though dead, I will And even my ashes shall abhor the touch [be his, Of any other.-O unkind, and cruel! Learn, women, learn to trust in one another; There is no faith in man: Sforza is false, False to Marcelia ! [She swoons. Fran. But I am true, And live to make you happy. All the pomp, Marc. Thou art a villain! All attributes of archvillains made into one, st be re nee, S ven, ING RA, TY. me nd 'd, How is my soul divided! to confirm you Leost. Sweet, take comfort! And what I offer you, you must vouchsafe me, I can encounter in the war, are trifles; The dreadful foes, that have the power to hurt me, Cleo. With me? Leost. Nay, in you, In every part about you, they are arm'd To fight against me. Cleo. Where? Leost. There's no perfection That you are mistress of, but musters up Cleo. This is strange ! Leost. But true, sweet; Excess of love can work such miracles! This hand, Sibylla's golden bough to guard them Their numbers would be infinite. Cleo. Can you think I may be tempted ? Leost. You were never proved. [presents For me, I have conversed with you no further Cleo. And 'twas That modesty that took me and preserves me, When I am absent, as I must go from you Of loose temptations; when the memory Is lost in other objects; when you are courted Cleo. Will you then confirm That love and jealousy, though of different natures, Leost. What will you do? Cleo. Obey me, Or from this minute you are a stranger to me; I loose this knot, until the hands that made it Now to my chamber, My tomb, if you miscarry: there I'll spend PISANDER DECLARING HIS PASSION FOR CLEORA, IN THE INSURRECTION OF THE SLAVES OF SYRACUSE. FROM THE SAME. Enter PISANDER, speaking, at the door, to the Pisander. HE that advances A foot beyond this, comes upon my sword: You have had your ways, disturb not mine. Timandra. Speak gently, Her fears may kill her else. Pisan. Now Love inspire me ! And you infringe no vow, though you vouchsafe Hold forth your right hand. [CLEORA holds forth her right hand. Pisan. So 'tis done; and I With my glad lips seal humbly on your foot, My soul's thanks for the favour: I forbear To tell you who I am, what wealth, what honours I made exchange of, to become your servant : And, though I knew worthy Leosthenes (For sure he must be worthy, for whose love You have endured so much) to be my rival; When rage and jealousy counsell'd me to kill him, Which then I could have done with much more ease, Than now, in fear to grieve you, I dare speak it, Love, seconded with duty, boldly told me The man I hated, fair Cleora favour'd: And that was his protection. [CLEORA bows. Timand. See, she bows Her head in sign of thankfulness. The occasion of the war, (my fires increasing I dare not touch those viands that ne'er taste well, |