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And ye, the breathing roses of the wood,
Fair silver buskin'd nymphs as great and good,
I know this quest of yours, and free intent,
Was all in honour and devotion meant
To the great mistress of yon princely shrine,
Whom, with low reverence, I adore as mine,
And with all helpful service will comply
To further this night's glad solemnity;
And lead ye, where ye may more near behold
What shallow searching Fame hath left untold;
Which I full oft, amidst these shades alone,
Have sat to wonder at, and gaze upon :
For know, by lot from Jove I am the power
Of this fair wood, and live in oaken bower,
To nurse the saplings tall, and curl the grove
With ringlets quaint, and wanton windings wove.
And all my plants I save from nightly ill
Of noisome winds, and blasting vapours chill:
And from the boughs brush off the evil dew,
And heal the harms of thwarting thunder blue,
Or what the cross dire-looking planet smites,
Or hurtful worm with canker'd venom bites.

When Evening grey doth rise, I fetch my round
Over the mount, and all this hallow'd ground,
And early, ere the odorous breath of Morn
Awakes the slumb'ring leaves, or tassel'd horn
Shakes the high thicket, haste I all about,
Number my ranks, and visit ev'ry sprout
With puissant words, and murmurs made to
bless:

But else in deep of night, when drowsiness
Hath lock'd up mortal sense, then listen I
To the celestial Sirens' harmony,

That sit upon the nine infolded spheres,
And sing to those that hold the vital shears,
And turn the adamantine spindle round,
On which the fate of gods and men is wound.
Such sweet compulsion doth in music lie,
To lull the daughters of Necessity,
And keep unsteady Nature to her law,
And the low world in measured motion draw
After the heav'nly tune, which none can hear
Of human mould with gross unpurged ear.

ANDREW MARVELL.

[Born, 1620. Died, 1678.]

A BETTER edition of Marvell's works than any that has been given, is due to his literary and patriotic character. He was the champion of Milton's living reputation, and the victorious supporter of free principles against Bishop Parker, when that venal apostate to bigotry promulgated, in his Ecclesiastical Polity, "that it was more necessary to set a severe government over men's consciences and religious persuasions, than over their vices and immoralities." The humour and eloquence of Marvell's prose tracts were admired and probably imitated by Swift*. In playful exuberance of figure he sometimes resembles Burke. For consistency of principles, it is not so easy to find his parallel. His few poetical pieces betray some adherence to the school of conceit, but there is much in it that comes from the heart warm, pure, and affectionate.

He was a native of Hull. At the age of fifteen he was seduced from Cambridge by the proselytising Jesuits, but was brought back from London by his father, returned to the university, and continued for ever after an enemy to superstition and intrigue. In 1640 his father, who was a clergyman of Hull, embarked on the Humber in company with a youthful pair whom he was to marry at Barrow, in Lincolnshire. Though the weather was calm when they entered the boat, the old gentleman expressed a whimsical presenti

[* We still read Marvell's answer to Parker with pleasure, though the book it answers be sunk long ago.

Swift's Apology for A Tale of a Tub.]

ment of danger, by throwing his cane ashore, and crying out, "Ho for heaven +!" A storm came on, and the whole company perished.

In consequence of this catastrophe the gentleman whose daughter was to have been married, adopted young Marvell as his son, conceiving his father to have sacrificed his life in performing an act of friendship. Marvell's education was thus enlarged: he travelled for his improvement over a considerable part of Europe, and was for some time at Constantinople as secretary to the English embassy at that court. Of his residence and employments for several years there is no account, till in 1653 he was engaged by the Protector to superintend the education of a Mr. Dutton, at Eton; and for a year and a half before Milton's death, he was assistant to Milton in the office of Latin Secretary to the Protector. He sat in the Parliament of 1660 as one of the representatives of the city of Hull, and was re-elected as long as he lived. At the beginning of the reign, indeed, we find him absent for two years in Germany and Holland, and on his return, having sought leave from his constituents, he accompanied Lord Carlisle as ambassador's secretary to the Northern Courts; but from the year 1665 till his death, his attendance in the House of Commons was un

The story is told differently in the Biographia Britannica; but the circumstance related there, of a beautiful boy appearing to the mother of the drowned lady, and disappearing with the mystery of a supernatural being, gives an air of incredibility to the other account.

interrupted, and exhibits a zeal in parliamentary duty that was never surpassed. Constantly corresponding with his constituents, he was at once earnest for their public rights and for their local interests. After the most fatiguing attendances, it was his practice to send them a minute statement of public proceedings, before he took either sleep or refreshment. Though he rarely spoke, his influence in both houses was so considerable, that when Prince Rupert (who often consulted him) voted on the popular side, it used to be said that the prince had been with his tutor. He was one of the last members who received the legitimate stipend for attendance, and his grateful constituents would often send him a barrel of ale as a token of their regard. The traits that are recorded of his public spirit and simple manners give an air of probability to the popular story of his refusal of a court-bribe. Charles the Second having met with Marvell in a private company, found his manners so agreeable, that he could

not imagine a man of such complacency to possess inflexible honesty; he accordingly, as it is said, sent his lord-treasurer, Danby, to him next day, who, after mounting several dark staircases, found the author in a very mean lodging, and proffered him a mark of his majesty's consideration. Marvell assured the lord-treasurer that he was not in want of the king's assistance, and humorously illustrated his independence by calling his servant to witness that he had dined for three days successively on a shoulder of mutton; and having given a dignified and rational explanation of his motives to the minister, went to a friend and borrowed a guinea. The story of his death having been occasioned by poisoning, it is to be hoped, was but a party fable. It is certain, however, that he had been threatened with assassination. The corporation of Hull voted a sum for his funeral expenses, and for an appropriate

monument.

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THE NYMPH COMPLAINING FOR THE DEATH OF HER FAWN.

THE wanton troopers riding by
Have shot my fawn, and it will die.
Ungentle men! they cannot thrive
Who killed thee. Thou ne'er didst alive
Them any harm; alas! nor could
Thy death to them do any good.
I'm sure I never wish'd them ill;
Nor do I for all this; nor will:
But, if my simple prayers may yet
Prevail with heaven to forget
Thy murder, I will join my tears,
Rather than fail. But, O my fears!
It cannot die so. Heaven's king

Keeps register of every thing,

And nothing may we use in vain :
Ev'n beasts must be with justice slain.

Inconstant Sylvio, when yet

I had not found him counterfeit,
One morning (I remember well),
Tied in this silver chain and bell,
Gave it to me: nay, and I know
What he said then I'm sure I do.
Said he, "Look how your huntsman here
Hath taught a Fawn to hunt his Deer."
But Sylvio soon had me beguiled.
This waxed tame while he grew wild,
And, quite regardless of my smart,
Left me his Fawn, but took his heart.
Thenceforth I set myself to play
My solitary time away
With this, and very well content
Could so my idle life have spent ;
For it was full of sport, and light
Of foot, and heart; and did invite

Me to its game; it seem'd to bless

How could I less

Oh, I cannot be

Itself in me.
Than love it?
Unkind t'a beast that loveth me.
Had it lived long, I do not know
Whether it too might have done so
As Sylvio did; his gifts might be
Perhaps as false, or more, than he.
But I am sure, for aught that I
Could in so short a time espy,
Thy love was far more better than
The love of false and cruel man.
With sweetest milk and sugar first
I it at my own fingers nursed;
And as it grew, so every day

It wax'd more white and sweet than they :
It had so sweet a breath.

And oft

I blush'd to see its foot more soft
And white, shall I say than my hand?
Nay, any lady's of the land.

It is a wondrous thing how fleet
"Twas on those little silver feet;
With what a pretty skipping grace
It oft would challenge me the race;
And when't had left me far away,
'Twould stay, and run again, and stay ;
For it was nimbler much than hinds,
And trod as if on the four winds.
I have a garden of my own,
But so with roses overgrown,
And lilies, that you would

guess

To be a little wilderness,
And all the spring time of the year
It only loved to be there.
Among the beds of lilies I

Have sought it oft where it should lie,
Yet could not, till itself would rise,
Find it, although before mine eyes;
For in the flaxen lilies' shade
It like a bank of lilies laid;
Upon the roses it would feed
Until its lips e'en seem'd to bleed ;
And then to me 'twould boldly trip,
And print those roses on my lip.
But all its chief delight was still
On roses thus itself to fill,

And its pure virgin limbs to fold
In whitest sheets of lilies cold.

Had it lived long, it would have been
Lilies without, roses within.

YOUNG LOVE.

COME, little infant, love me now,
While thine unsuspected years
Clear thine aged father's brow
From cold jealousy and fears.

Pretty, surely, 'twere to see

By young Love old Time beguiled; While our sportings are as free

As the nurse's with the child.

Common beauties stay fifteen;

Such as yours should swifter move, Whose fair blossoms are too green Yet for lust, but not for love.

Love as much the snowy lamb,

Or the wanton kid, does prize,
As the lusty bull or ram,

For his morning sacrifice.
Now then love me: Time may take
Thee before thy time away;
Of this need we'll virtue make,
And learn love before we may.

So we win of doubtful fate;
And if good to us she meant,
We that good shall antedate;
Or, if ill, that ill prevent.
Thus do kingdoms, frustrating
Other titles to their crown,
In the cradle crown their king,
So all foreign claims to drown.

So to make all rivals vain,

Now I crown thee with my love; Crown me with thy love again,

And we both shall monarchs prove.

THOMAS STANLEY.

[Born, 1625. Died, 1678.]

THOMAS STANLEY, the learned editor of Eschy- | from Anacreon, Bion and Moschus, and the lus, and author of the History of Philosophy. He "Kisses" of Secundus. He also translated from made poetical versions of considerable neatness Tristan, Marino, Boscan, and Gongora.

CELIA SINGING.

ROSES in breathing forth their scent,
Or stars their borrow'd ornament:
Nymphs in their wat'ry sphere that move,
Or angels in their orbs above;
The winged chariot of the light,

Or the slow silent wheels of night;
The shade which from the swifter sun
Doth in a swifter motion run,

Or souls that their eternal rest do keep,
Make far less noise than Celia's breath in sleep.

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[To tell all the stories that are told of this dissolute but witty nobleman, would be to collect what few would believe, what the good would refrain from reading, and "to fabricate furniture for the brothel." Pepys calls him an idle rogue; the excellent Evelyn, a very profane wit. He was both, and something more.

Of his sayings many are still on the tongue top, and told,

When the wine-cup shines in light; while his poems are oftener read for the sake of their indecency than for their wit, though his satire was at all times lively, felicitous, and searching. His 'Nothing' is, as Addison says, an admirable poem on a barren subject." (Spec. No. 305.)

66

"The very name of Rochester," says Hume, "is offensive to modest ears; yet does his poetry discover such energy of style and such poignancy, as give ground to imagine what so fine a genius, had he fallen in a more happy age and had followed better models, was capable of producing. The ancient satirists often used great liberties in

their expressions; but their freedom no more resembles the licentiousness of Rochester, than the nakedness of an Indian does that of a common prostitute." (Hist. of Eng. ch. lxxi.)

His poems were castrated by Steevens for Johnson's Collection; but this had been done before by Tonson, who while he did much, left very much to do. Could his satire be cleansed from its coarseness, a selection of his best pieces, many of which are still in manuscript, would be a desideratum, and the name of Wilmot would then stand high in the list of British satirists. But indecency is in the very nature of many of his subjects: there is more obscenity than wit in his verse, as was well observed by Walpole, more wit than poetry, more poetry than politeness.

Unwilling to tell one story of diverting or revolting profligacy upon another, Johnson has written the life of Lord Rochester in a few pages, said enough and has indicated more than he has said. His Death has been given us by Bishop Burnet in one of the most readable books in the English language.]

Too late, alas! I must confess,

You need not arts to move me; Such charms by nature you possess, "Twere madness not to love ye.

SONG.

Then spare a heart you may surprise,
And give my tongue the glory
To boast, though my unfaithful eyes
Betray a tender story.

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THE merit of Hudibras, excellent as it is, certainly lies in its style and execution, and by no means in the structure of the story. The action of the poem as it stands, and interrupted as it is, occupies but three days; and it is clear from the opening line, "When civil dudgeon first grew high," that it was meant to bear date with the civil wars. Yet after two days and nights are completed, the poet skips at once, in the third part, to Oliver Cromwell's death, and then returns to retrieve his hero, and conduct him

Died, 1680.]

through the last canto. Before the third part of Hudibras appeared, a great space of time had elapsed since the publication of the first. Charles II. had been fifteen years asleep on the throne, and Butler seems to have felt that the ridicule of the sectaries had grown a stale subject. The final interest of the piece, therefore, dwindles into the widow's repulse of Sir Hudibras, a topic which has been suspected to allude, not so much to the Presbyterians, as to the reigning monarch's dotage upon his mistresses.

HUDIBRAS, PART I. CANTO I.

WHEN civil dudgeon first grew high,
And men fell out, they knew not why;
When hard words, jealousies, and fears,
Set folks together by the ears,

And made them fight, like mad or drunk,
For Dame Religion as for punk;

Whose honesty they all durst swear for,
Though not a man of them knew wherefore;
When Gospel-trumpeter, surrounded
With long-ear'd rout, to battle sounded;
And pulpit, drum ecclesiastic,

Was beat with fist instead of a stick;
Then did Sir Knight abandon dwelling,
And out he rode a colonelling.

A wight he was, whose very sight would
Entitle him Mirror of Knighthood,
That never bow'd his stubborn knee
To anything but chivalry,
Nor put up blow, but that which laid
Right worshipful on shoulder-blade ;
Chief of domestic knights and errant,
Either for chartel or for warrant;
Great on the bench, great in the saddle,
That could as well bind o'er as swaddle;
Mighty he was at both of these,
And styled of War, as well as Peace:
(So some rats, of amphibious nature,
Are either for the land or water)

But here our authors make a doubt
Whether he were more wise or stout:
Some hold the one, and some the other,
But, howsoe'er they make a pother,
The diff'rence was so small, his brain
Outweigh'd his rage but half a grain :
Which made some take him for a tool
That knaves do work with, call'd a Fool.
For't has been held by many, that
As Montaigne, playing with his cat,
Complains she thought him but an ass,
Much more she would Sir Hudibras ;
(For that's the name our valiant knight
To all his challenges did write)
But they're mistaken very much,
'Tis plain enough he was not such.
We grant, although he had much wit,
H' was very shy of using it,

As being loath to wear it out,
And therefore bore it not about :
Unless on holidays or so,

As men their best apparel do.

Beside, 'tis known he could speak Greek
As naturally as pigs squeak;
That Latin was no more difficile,
Than to a blackbird 'tis to whistle :
Being rich in both, he never scanted

His bounty unto such as wanted;

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