Critical worksT. Cadell and W. Davies, strand., 1811 |
From inside the book
Արդյունքներ 40–ի 1-ից 5-ը:
Էջ 15
... particular rules . Nay its effects have reached still further . For , conceiving as they did , that the whole had been composed out of the Greek critics , the labour and ingenuity of its interpreters have been misemployed in picking out ...
... particular rules . Nay its effects have reached still further . For , conceiving as they did , that the whole had been composed out of the Greek critics , the labour and ingenuity of its interpreters have been misemployed in picking out ...
Էջ 16
... particular places , this critic did not pervert the order of the piece , from a simple mistake about the drift of the subject , but , also , from a total inapprehension of the genuin charm and beauty of the epistolary method . And , be ...
... particular places , this critic did not pervert the order of the piece , from a simple mistake about the drift of the subject , but , also , from a total inapprehension of the genuin charm and beauty of the epistolary method . And , be ...
Էջ 20
... particular address , to constitute the didactic epistle : the structure of this poem , as prescribed by the laws of nature and good sense , being in nothing different from that of the other . For here 1. an unity of subject or design is ...
... particular address , to constitute the didactic epistle : the structure of this poem , as prescribed by the laws of nature and good sense , being in nothing different from that of the other . For here 1. an unity of subject or design is ...
Էջ 24
... philosophiæ divulsis mi- nimeque inter se cohærentibus . And of this Epistle , in particular , he presumes to say , De Arte quæres quid sentiam . Quid ? Equi- sistent method ; which is never more artificial , than 24 INTRODUCTION .
... philosophiæ divulsis mi- nimeque inter se cohærentibus . And of this Epistle , in particular , he presumes to say , De Arte quæres quid sentiam . Quid ? Equi- sistent method ; which is never more artificial , than 24 INTRODUCTION .
Էջ 34
... particular depending so entirely on what is out of the reach of rule , as the fashion , of the age , the taste of the writer , and his knowledge of the language , in which he writes , the poet only gives di- rections about new words ...
... particular depending so entirely on what is out of the reach of rule , as the fashion , of the age , the taste of the writer , and his knowledge of the language , in which he writes , the poet only gives di- rections about new words ...
Common terms and phrases
absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attended authority beauty censure character chorus Cicero comedy COMMENTARY common composition Creon critic Dacier dicere drama elegance enim Ennius epistle epithets etiam Euripides excellence expression facundia further genius give Greek hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius manner means Medea Menander mind modern moral Multa nature nexion numbers nunc objects observed occasion old comedy orichalco Oscan Pacuvius painting passage passion peculiar Peleus piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says sense sentiments shew shewn Sophocles speaking species spirit sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
Սիրված հատվածներ
Էջ 32 - Doctus iter melius ; mortalia facta peribunt : Nedum sermonum stet honos, et gratia vivax. Multa renascentur, quae jam cecidere ; cadentque Quae nunc sunt in honore vocabula, si volet usus, Quem penes arbitrium est et jus et norma loquendi.
Էջ 74 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Էջ 40 - Incident, nee quarta loqui persona laboret. .Actoris partes chorus officiumque virile Defendat," neu quid medios intercinat actus, Q,uod non proposito conducat et haereat apte...
Էջ 27 - ... inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 adsuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros aut flumen Rhenum aut pluvius describitur arcus; sed nunc non erat his locus. et fortasse cupressum scis simulare: quid hoc, si fractis enatat exspes 20 navibus, aere dato qui pingitur?
Էջ 54 - Natura fieret laudabile carmen an arte Quaesitum est : ego nee Studium sine divite vena Nee rude quid possit video ingenium ; alterius sic 410 Altera poscit opem res et conjurat amice.
Էջ 33 - Descriptas servare vices operumque colores Cur ego si nequeo ignoroque poeta salutor ? Cur nescire pudens prave quam discere malo ? Versibus exponi tragicis res comica non vult ; Indignatur item privatis ac prope socco 90 Dignis carminibus narrari coena Thyestae.
Էջ 53 - Tu nihil invita dices faciesve Minerva ; 385 Id tibi judicium est, ea mens ; si quid tamen olim Scripseris, in Maeci descendat judicis aures Et patris et nostras, nonumque prematur in annum : Membranis intus positis delere licebit, Quod non edideris ; nescit vox missa reverti.
Էջ 47 - Munus et officium, nil scribens ipse, docebo ; Unde parentur opes ; quid alat formetque poetam ; Quid deceat, quid non ; quo virtus, quo ferat error.
Էջ 37 - Semper ad eventum festinat et in medias res Non secus ac notas auditorem rapit, et quae Desperat tractata nitescere posse relinquit ; 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Էջ 301 - Detrimenta, fugas servorum, incendia ridet ; Non fraudem socio puerove incogitat ullam Pupillo ; vivit siliquis et pane secundo ; Militiae quamquam piger et malus, utilis urbi, Si das hoc parvis quoque rebus magna juvari. 125 Os tenerum pueri balbumque poeta figurat, Torquet ab obscoenis jam nunc sermonibus aurem...