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POEMS OF SORROW AND ADVERSITY.

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She kept with care her beauties rare
From lovers warm and true,

For her heart was cold to all but gold,
And the rich came not to woo,
But honored well are charms to sell
If priests the selling do.

Now walking there was one more fair,
A slight girl, lily-pale;
And she had unseen company

To make the spirit quail, 'Twixt Want and Scorn she walked forlorn, And nothing could avail.

No mercy now can clear her brow

For this world's peace to pray;

For, as love's wild prayer dissolved in air,

Her woman's heart gave way!

But the sin forgiven by Christ in heaven
By man is cursed alway!

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But where the incessant din

Of iron hands, and roars of brazen throats,
Join their unmingled notes,

While the long summer day is pouring in,
• Till day is gone, and darkness doth begin,
Dream I, as in the corner where I lie,
On wintry nights, just covered from the sky! -
Such is my fate, - and, barren though it seem,
Yet, thou blind, soulless scorner, yet I dream!

And yet I dream,

Dream what, were men more just, I might have been,
How strong, how fair, how kindly and serene,
Glowing of heart, and glorious of mien;
The conscious crown to Nature's blissful scene,
In just and equal brotherhood to glean,
With all mankind, exhaustless pleasure keen,
Such is my dream!

And yet I dream,

I, the despised of fortune, lift mine eyes,
Bright with the lustre of integrity,
In unappealing wretchedness, on high,
And the last rage of Destiny defy;
Resolved alone to live, alone to die,

Nor swell the tide of human misery !
And yet I dream, -

Dream of a sleep where dreams no more shall come,
My last, my first, my only welcome home !
Rest, unbeheld since Life's beginning stage,
Sole remnant of my glorious heritage,
Unalienable, I shall find thee yet,

And in thy soft embrace the past forget.
Thus do I dream!

ΑΝΟΝΥΜOUS.

MOAN, MOAN, YE DYING GALES.
MOAN, moan, ye dying gales !
The saddest of your tales
Is not so sad as life;
Nor have you e'er began
A theme so wild as man,
Or with such sorrow rife.

Fall, fall, thou withered leaf!
Autumn sears not like grief,
Nor kills such lovely flowers;
More terrible the storm,
More mournful the deform,

When dark misfortune lowers.

Hush! hush! thou trembling lyre,
Silence, ye vocal choir,

And thou, mellifluous lute,
For man soon breathes his last,
And all his hope is past,

And all his music mute.

Then, when the gale is sighing,
And when the leaves are dying,
And when the song is o'er,
O, let us think of those
Whose lives are lost in woes,

Whose cup of grief runs o'er.

HENRY NEELE.

HENCE, ALL YE VAIN DELIGHTS.

HENCE, all ye vain delights,
As short as are the nights
Wherein you spend your folly !
There's naught in this life sweet,
If man were wise to see 't,
But only melancholy,

O, sweetest melancholy !

Welcome, folded arms, and fixed eyes,
A sigh that piercing mortifies,
A look that's fastened to the ground,
A tongue chained up without a sound!

Fountain-heads and pathless groves,
Places which pale passion loves!
Moonlight walks, when all the fowls
Are warmly housed save bats and owls !
A midnight bell, a parting groan!
These are the sounds we feed upon.
Then stretch our bones in a still gloomy valley;
Nothing'sso dainty sweet as lovely melancholy.

BEAUMONT and FLETCHER.

BLOW, BLOW, THOU WINTER WIND.
FROM "AS YOU LIKE IT."

BLOW, blow, thou winter wind,
Thou art not so unkind

As man's ingratitude;
Thy tooth is not so keen,
Because thou art not seen,

Although thy breath be rude.
Heigh-ho! sing heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heigh-ho! the holly!
This life is most jolly!

Freeze, freeze, thou bitter sky,
Thou dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp

As friend remembered not.
Heigh-ho! sing heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:

Then, heigh-ho! the holly!
This life is most jolly!

SHAKESPEARE.

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But the old three-cornered hat,

And the breeches, - and all that,

Are so queer !

And if I should live to be

The last leaf upon the tree

In the spring,

Let them smile, as I do now,

At the old forsaken bough

Where I cling.

OLIVER WENDELL HOLMES.

THE APPROACH OF AGE.

FROM "TALES OF THE HALL."

SIX years had passed, and forty ere the six,
When Time began to play his usual tricks :
The locks once comely in a virgin's sight,
Locks of pure brown, displayed the encroaching

white;

The blood, once fervid, now to cool began,
And Time's strong pressure to subdue the man.
I rode or walked as I was wont before,
But now the bounding spirit was no more;
A moderate pace would now my body heat,
A walk of moderate length distress my feet.
I showed my stranger guest those hills sublime,
But said, "The view is poor, we need not climb."
At a friend's mansion I began to dread
The cold neat parlor and the gay glazed bed;
At home I felt a more decided taste,

And must have all things in my order placed.
I ceased to hunt; my horses pleased me less,
My dinner more; I learned to play at chess.
I took my dog and gun, but saw the brute
Was disappointed that I did not shoot.
My morning walks I now could bear to lose,
And blessed the shower that gave me not to
choose.

In fact, I felt a languor stealing on;
The active arm, the agile hand, were gone;
Small daily actions into habits grew,
And new dislike to forms and fashions new.
I loved my trees in order to dispose;
I numbered peaches, looked how stocks arose ;
Told the same story oft, - in short, began to prose.

GEORGE CRABBE.

TOMMY'S DEAD.

You may give over plough, boys, You may take the gear to the stead, All the sweat o' your brow, boys, Will never get beer and bread.

The seed's waste, I know, boys,

There's not a blade will grow, boys, 'T is cropped out, I trow, boys, And Tommy's dead.

Send the colt to fair, boys,
He's going blind, as I said,
My old eyes can't bear, boys,
To see him in the shed;

The cow 's dry and spare, boys,
She 's neither here nor there, boys,
I doubt she's badly bred;
Stop the mill to-morn, boys,
There 'll be no more corn, boys,
Neither white nor red;
There's no sign of grass, boys,
You may sell the goat and the ass, boys,
The land's not what it was, boys,
And the beasts must be fed :
You may turn Peg away, boys,
You may pay off old Ned,
We've had a dull day, boys,
And Tommy's dead.

Move my chair on the floor, boys,
Let me turn my head:

She 's standing there in the door, boys,
Your sister Winifred!

Take her away from me, boys,
Your sister Winifred!

Move me round in my place, boys,
Let me turn my head,

Take her away from me, boys,
As she lay on her death-bed,
The bones of her thin face, boys,
As she lay on her death-bed !
I don't know how it be, boys,
When all 's done and said,
But I see her looking at me, boys,
Wherever I turn my head;
Out of the big oak tree, boys,
Out of the garden-bed,

And the lily as pale as she, boys,
And the rose that used to be red.

There's something not right, boys, But I think it's not in my head, I've kept my precious sight, boys, The Lord be hallowed!

Outside and in

The ground is cold to my tread,
The hills are wizen and thin,
The sky is shrivelled and shred,
The hedges down by the loan
I can count them bone by bone,
The leaves are open and spread,
But I see the teeth of the land,
And hands like a dead man's hand,
And the eyes of a dead man's head.

There's nothing but cinders and sand,
The rat and the mouse have fed,
And the summer 's empty and cold;
Over valley and wold
Wherever I turn my head
There's a mildew and a mould,
The sun's going out overhead,
And I'm very old,
And Tommy's dead.

What am I staying for, boys,
You're all born and bred,
'T is fifty years and more, boys,
Since wife and I were wed,
And she's gone before, boys,
And Tommy's dead.

She was always sweet, boys,

Upon his curly head,

She knew she'd never see't, boys,
And she stole off to bed;

I've been sitting up alone, boys,

For he'd come home, he said,
But it's time I was gone, boys,
For Tommy's dead.

Put the shutters up, boys,
Bring out the beer and bread,
Make haste and sup, boys,
For my eyes are heavy as lead;
There's something wrong i' the cup, boys,
There's something ill wi' the bread,
I don't care to sup, boys,
And Tommy's dead.

I'm not right, I doubt, boys,
I've such a sleepy head,
I shall nevermore be stout, boys,
You may carry me to bed.
What are you about, boys?
The prayers are all said,
The fire 's raked out, boys,
And Tommy's dead.

The stairs are too steep, boys,
You may carry me to the head,
The night's dark and deep, boys,
Your mother's long in bed,
'Tis time to go to sleep, boys,
And Tommy 's dead.

I'm not used to kiss, boys,

You may shake my hand instead.

All things go amiss, boys,

You may lay me where she is, boys,

And I'll rest my old head:

'T is a poor world, this, boys, And Tommy's dead.

SIDNEY DOBELL,

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That sad, unearthly strain

That seems from other worlds to plain !
Thus falling, falling from afar,
As if some melancholy star
Had mingled with her light her sighs,
And dropped them from the skies.

No, never came from aught below
This melody of woe,

That makes my heart to overflow,
As from a thousand gushing springs
Unknown before; that with it brings
This nameless light - if light it be -
That veils the world I see.

For all I see around me wears

The hue of other spheres ; And something blent of smiles and tears Comes from the very air I breathe. O, nothing, sure, the stars beneath, Can mould a sadness like to this, So like angelic bliss !

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