"Oh, I'm not a fool," said Mr. Cuthbert. "But if I were a poet, or that fellow Deming, I might be able to tell you what your eyes were like to-night."

"I'm glad you're not," said Honora.

As they were going in, she turned for a lingering look at the sea. A strong young moon rode serenely in the sky and struck a path of light across the restless waters. Along this shimmering way the eyes of her companion followed hers.

"I can tell you what that colour is, at least. Do you remember the blue, transparent substance that used to be on favours at children's parties?" he asked. "There were caps inside of them, and crackers."

"I believe you are a poet, after all," she said. A shadow fell across the flags. Honora did not move. "Hello, Chiltern," said Cuthbert. "I thought you were

playing bridge. . . ."

"You haven't looked at me once to-night," he said, when Cuthbert had gone in.

She was silent.

"Are you angry?"

"Yes, a little," she answered.

"Do you blame me?" The vibration of his voice in the moonlit court awoke an answering chord in her; and a note of supplication from him touched her strangely. Logic in his presence was a little difficult — there can be no doubt of that.

"I must go in," she said unsteadily, "my carriage is waiting."

But he stood in front of her.

"I should have thought you would have gone," she said.

"I wanted to see you again."

“And now?”

―

"I can't leave while you feel this way," he pleaded. "I can't abandon what I have of you what you will let me take. If I told you I would be reasonable — " "I don't believe in miracles," she said, recovering a little; "at least in modern ones. The question is, could you become reasonable?"

"As a last resort," he replied, with a flash of humour and a touch of hope. "If you would commute my

sentence."

She passed him, and picking up her skirts, paused in the window.

"I will give you one more chance," she said.

This was the conversation that, by repeating itself, filled the interval of her drive home. So oblivious was she to Howard's presence, that he called her twice from her corner of the carriage after the vehicle had stopped; and he halted her by seizing her arm as she was about to go up the stairs. She followed him mechanically into the

drawing-room.

He closed the door behind them, and the other door into the darkened dining room. He even took a precautionary glance out of the window of the porch. And these movements, which ordinarily might have aroused her curiosity, if not her alarm, she watched with a profound indifference. He took a stand before the Japanese screen in front of the fireplace, thrust his hands in his pockets, cleared his throat, and surveyed her from her white shoulders to the gold-embroidered tips of her slippers.

"I'm leaving for the West in the morning, Honora. If you've made any arrangements for me on Sunday, you'll have to cancel them. I may be gone two weeks, I may be gone a month. I don't know."

"I'm going to tell you something those fellows in the smoking room to-night did their best to screw out of me. If you say anything about it, all's up between me and Wing. The fact that he picked me out to engineer the thing, and that he's going to let me in if I push it through, is a pretty good sign that he thinks something of my business ability, eh?"

"You'd better not tell me, Howard," she said.

"You're too clever to let it out," he assured her; and added with a chuckle: "If it goes through, order what you like. Rent a house on Bellevue Avenue — anything

in reason.'

"What is it?" she asked, with a sudden premonition that the thing had a vital significance for her.

"It's the greatest scheme extant," he answered with elation. "I won't go into details - you wouldn't understand 'em. Mr. Wing and some others have tried the thing before, nearer home, and it worked like a charm. Street railways. We buy up the little lines for nothing, and get an interest in the big ones, and sell the little lines for fifty times what they cost us, and guarantee big dividends for the big lines."

"It sounds to me," said Honora, slowly, "as though some one would get cheated."

"Some one get cheated!" he exclaimed, laughing. "Every one gets cheated, as you call it, if they haven't enough sense to know what their property's worth, and how to use it to the best advantage. It's a case," he announced, "of the survival of the fittest. Which reminds me that if I'm going to be fit to-morrow I'd better go to bed. Mr. Wing's to take me to New York on his yacht, and you've got to have your wits about you when you talk to the old man.'

CHAPTER VI

CLIO, OR THALIA?

ACCORDING to the ordinary and inaccurate method of measuring time, a fortnight may have gone by since the event last narrated, and Honora had tasted at last the joys of authorship. Her name was not to appear, to be sure, on the cover of the Life and Letters of General Angus Chiltern; nor indeed, so far, had she written so much as a chapter or a page of a work intended to inspire young and old with the virtues of citizenship. At present the biography was in the crucial constructive stage. Should the letters be put in one volume, and the life in another? or should the letters be inserted in the text of the life? or could not there be a third and judicious mixture of both of these methods? Honora's counsel on this and other problems was, it seems, invaluable. Her own table was fairly littered with biographies more or less famous which had been fetched from the library, and the method of each considered.

Even as Mr. Garrick would never have been taken for an actor in his coach and four, so our heroine did not in the least resemble George Eliot, for instance, as she sat before her mirror at high noon with Monsieur Cadron and her maid Mathilde in worshipful attendance. Some of the ladies, indeed, who have left us those chatty memoirs of the days before the guillotine, she might have been likened to.

Monsieur Cadron was an artist, and his branch of art was hair-dressing. It was by his own wish he was here to-day, since he had conceived a new coiffure especially adapted, he declared, to the type of Madame Spence. Be

hold him declaring ecstatically that seldom in his experience had he had such hairs to work with.

"Avec une telle chevelure, l'on peut tout faire, madame. Être simple, c'est le comble de l'art. Ça vous donne," he added, with clasped hands and a step backward, “ca vous donne tout à fait l'air d'une dame de Nattier."

Madame took the hand-glass, and did not deny that she was éblouissante. If madame, suggested Monsieur Cadron, had but a little dress à la Marie Antoinette? Madame had, cried madame's maid, running to fetch one with little pink flowers and green leaves on an ecru ground. Could any coiffure or any gown be more appropriate for an entertainment at which Clio was to preside?

It is obviously impossible that a masterpiece should be executed under the rules laid down by convention. It would never be finished. Mr. Chiltern was coming to lunch, and it was not the first time. On her appearance in the doorway he halted abruptly in his pacing of the drawing-room, and stared at her.

"I'm sorry I kept you waiting," she said.

"It was worth it," he said. And they entered the dining room. A subdued, golden-green light came in through the tall glass doors that opened out on the little garden which had been Mrs. Forsythe's pride. The scent of roses was in the air, and a mass of them filled a silver bowl in the middle of the table. On the dark walls were Mrs. Forsythe's precious prints, and above the mantel a portrait of a thin, aristocratic gentleman who resembled the poet Tennyson. In the noonday shadows of a recess was a dark mahogany sideboard loaded with softly gleaming silver-Honora's. Chiltern sat down facing her. He looked at Honora over the roses, and she looked at him. A sense of unreality that was, paradoxically, stronger than reality itself came over her, a sense of fitness, of harmony. And for the moment an imagination, ever straining at its leash, was allowed to soar. It was Chiltern who broke the silence.

"What a wonderful bowl!" he said.

"It has been in my father's family a great many years.