contained innumerable persons of celebrity undreamed of by them, took it for granted that I was one, and that their roar of welcome was but a feeble echo of those which had thundered around me in lofty theatres. Such an enthusiastic uproar was never heard. Each person seemed a Briareus clapping a hundred hands, besides keeping his feet and several cudgels in play with stamping and thumping on the floor; while the ladies flourished their white cambric handkerchiefs, intermixed with yellow and red bandanna, like the flags of different nations. After such a salutation, the celebrated Story Teller felt almost ashamed to produce so humble an affair as Mr. Higginbotham's Catastrophe.

This story was originally more dramatic than as there presented, and afforded good scope for mimicry and buffoonery, neither of which, to my shame, did I spare. I never knew the "magic of a name" till I used that of Mr. Higginbotham. Often as I repeated it, there were louder bursts of merriment than those which responded to what, in my opinion, were more legitimate strokes of humor. The success of the piece was incalculably heightened by a stiff cue of horse hair, which Little Pickle, in the spirit of that mischiefloving character, had fastened to my collar, where, unknown to me, it kept making the queerest gestures of its own in correspondence with all mine. The audience, supposing that some enormous joke was appended to this long tail behind, were ineffably delighted, and gave way to such a tumult of approbation that, just as the story closed, the benches broke beneath them and left one whole row of my admirers on the floor. Even in that predicament they continued their applause. In after times, when I had grown a

bitter moralizer, I took this scene for an example how much of fame is humbug; how much the meed of what our better nature blushes at; how much an accident; how much bestowed on mistaken principles; and how small and poor the remnant. From pit and boxes there was now a universal call for the Story Teller.

That celebrated personage came not when they did call to him. As I left the stage, the landlord, being also the postmaster, had given me a letter with the postmark of my native village, and directed to my assumed name in the stiff old handwriting of Parson Thumpcushion. Doubtless he had heard of the rising renown of the Story Teller, and conjectured at once that such a nondescript luminary could be no other than his lost ward. His epistle, though I never read it, affected me most painfully. I seemed to see the Puritanic figure of my guardian standing among the fripperies of the theatre and pointing to the players, the fantastic and effeminate men, the painted women, the giddy girl in boy's clothes, merrier than modest, pointing to these with solemn ridicule, and eying me with stern rebuke. His image was a type of the austere duty, and they of the vanities of life.

I hastened with the letter to my chamber and held it unopened in my hand while the applause of my buffoonery yet sounded through the theatre. Another train of thought came over me. The stern old man appeared again, but now with the gentleness of sorrow, softening his authority with love as a father might, and even bending his venerable head, as if to say that my errors had an apology in his own mistaken discipline. I strode twice across the chamber, then held the letter in the flame of the candle, and

beheld it consume unread. It is fixed in my mind, and was so at the time, that he had addressed me in a style of paternal wisdom, and love, and reconciliation, which I could not have resisted had I but risked the trial. The thought still haunts me that then I made my irrevocable choice between good and evil fate.

Meanwhile, as this occurrence had disturbed my mind, and indisposed me to the present exercise of my profession, I left the town, in spite of a laudatory critique in the newspaper, and untempted by the liberal offers of the manager. As we walked onward, following the same road, on two such different errands, Eliakim groaned in spirit, and labored with tears to convince me of the guilt and madness of my life.

SKETCHES FROM MEMORY.

THE NOTCH OF THE WHITE MOUNTAINS.

It was now the middle of September. We had come since sunrise from Bartlett, passing up through the valley of the Saco, which extends between mountainous walls, sometimes with a steep ascent, but often as level as a church aisle. All that day and two preceding ones we had been loitering towards the heart of the White Mountains, those old crystal hills, whose mysterious brilliancy had gleamed upon our distant wanderings before we thought of visiting them. Height after height had risen and towered one above another till the clouds began to hang below the peaks. Down their slopes were the red pathways of the slides, those avalanches of earth, stones and trees, which descend into the hollows, leaving vestiges of their track hardly to be effaced by the vegetation of ages. We had mountains behind us and mountains on each side, and a group of mightier ones ahead. Still our road went up along the Saco, right towards the centre of that group, as if to climb above the clouds in its passage to the farther region.

In old times the settlers used to be astounded by the inroads of the northern Indians coming down upon them from this mountain rampart through some defile known only to themselves. It is, indeed, a wondrous path. A demon, it might be fancied, or one of the Titans, was travelling up the valley, elbowing the

heights carelessly aside as he passed, till at length a great mountain took its stand directly across his intended road. He tarries not for such an obstacle, but, rending it asunder a thousand feet from peak to base, discloses its treasures of hidden minerals, its sunless waters, all the secrets of the mountain's inmost heart, with a mighty fracture of rugged precipices on each side. This is the Notch of the White Hills. Shame on me that I have attempted to describe it by so mean an image feeling, as I do, that it is one of those symbolic scenes which lead the mind to the sentiment, though not to the conception, of Omnipotence.

We had now reached a narrow passage, which showed almost the appearance of having been cut by human strength and artifice in the solid rock. There was a wall of granite on each side, high and precipitous, especially on our right, and so smooth that a few evergreens could hardly find foothold enough to grow there. This is the entrance, or, in the direction we were going, the extremity, of the romantic defile of the Notch. Before emerging from it, the rattling of wheels approached behind us, and a stage-coach rumbled out of the mountain, with seats on top and trunks behind, and a smart driver, in a drab greatcoat, touching the wheel horses with the whipstock and reining in the leaders. To my mind there was a sort of poetry in such an incident, hardly inferior to what would have accompanied the painted array of an Indian war party gliding forth from the same wild chasm. All the passengers, except a very fat lady on the back seat, had alighted. One was a mineralogist, a scientific, green-spectacled figure in black, bearing a heavy hammer, with which he did great damage to the prec