The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 88–ի 1-ից 3-ը:
Էջ vii
... Grammar of the Art of Reading and Speaking , as laid down in the follow- ing pages , has yet appeared . This grammar can- not , therefore , be construed into an attempt to supplant any school - book at present in use . As the ground is ...
... Grammar of the Art of Reading and Speaking , as laid down in the follow- ing pages , has yet appeared . This grammar can- not , therefore , be construed into an attempt to supplant any school - book at present in use . As the ground is ...
Էջ 16
... Grammar . It is demonstrable , that all that part of language which belongs to utterance , is entirely to be regulated by the principles of music ; that is , of sound and mea- sure , or melody and rhythm . How then is it possible ...
... Grammar . It is demonstrable , that all that part of language which belongs to utterance , is entirely to be regulated by the principles of music ; that is , of sound and mea- sure , or melody and rhythm . How then is it possible ...
Էջ 233
... Grammar , that the altering or misplacing of any one accent , which must be constantly happening , while the accents are not represented to the eye by symbolical marks , must , in the nature of the thing , most mate- rially affect the ...
... Grammar , that the altering or misplacing of any one accent , which must be constantly happening , while the accents are not represented to the eye by symbolical marks , must , in the nature of the thing , most mate- rially affect the ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words