The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 89–ի 1-ից 3-ը:
Էջ 19
... accents , which constitutes this tune or melody ; and its own pecu- liar time . To fix , therefore , the application of the accents by general rules , as has frequently been tried , and is at present the prevailing mode of teaching , is ...
... accents , which constitutes this tune or melody ; and its own pecu- liar time . To fix , therefore , the application of the accents by general rules , as has frequently been tried , and is at present the prevailing mode of teaching , is ...
Էջ 20
... accents , without any seeming blemish ; for whether the accent runs a quarter of a tone , or three quarters , up or down , more or less , seems of little consequence , provided the properties of the rhythm , quantity and cadence , be ...
... accents , without any seeming blemish ; for whether the accent runs a quarter of a tone , or three quarters , up or down , more or less , seems of little consequence , provided the properties of the rhythm , quantity and cadence , be ...
Էջ 250
... accents ? 6. When the full melody is written out , how many ? storq osi ) Matuh 7. By rule third , how many accents ? 144+ 8. When the full melody is written out , how many 9. By rule fourth , how many accents ? eim - dak 10. When the ...
... accents ? 6. When the full melody is written out , how many ? storq osi ) Matuh 7. By rule third , how many accents ? 144+ 8. When the full melody is written out , how many 9. By rule fourth , how many accents ? eim - dak 10. When the ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words