The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 18–ի 1-ից 3-ը:
Էջ 51
... consequence , that when many of the languages of this age are neglected and forgotten , its music may be preserved and esteemed . Let it be observed , that on hearing an overture , or a concerto , by a first - rate musician , we are ...
... consequence , that when many of the languages of this age are neglected and forgotten , its music may be preserved and esteemed . Let it be observed , that on hearing an overture , or a concerto , by a first - rate musician , we are ...
Էջ 88
... consequence will be , that while you pronounce slowly , and make a pause after the heavy syllable , you will produce the dissyllable and - you : but the moment you quicken the articulation into the rapidity of con- versation , or make ...
... consequence will be , that while you pronounce slowly , and make a pause after the heavy syllable , you will produce the dissyllable and - you : but the moment you quicken the articulation into the rapidity of con- versation , or make ...
Էջ 247
... consequence of the first mode ? 14. What is the consequence of the second ? I 15. Pronounce the two following lines and a half from Milton , according to Mr Walker's monotones . 16. Pronounce the same with the reading ac- cents.on olib ...
... consequence of the first mode ? 14. What is the consequence of the second ? I 15. Pronounce the two following lines and a half from Milton , according to Mr Walker's monotones . 16. Pronounce the same with the reading ac- cents.on olib ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words