The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 31–ի 1-ից 3-ը:
Էջ 89
James Chapman. This arrangement , which the organs of speech must necessarily fall into , and the impressions made upon ... fall into the alternate impulses of .. :: and from the physical structure of the organs H 2 RHYTHMICAL GRAMMAR . 89.
James Chapman. This arrangement , which the organs of speech must necessarily fall into , and the impressions made upon ... fall into the alternate impulses of .. :: and from the physical structure of the organs H 2 RHYTHMICAL GRAMMAR . 89.
Էջ 91
... fall short of their effects . I know it has been said that there is no necessity for marking all the different ... falls under emphatical divisions which are called ca- dences . A cadence , then , is a portion of sound RHYTHMICAL GRAMMAR ...
... fall short of their effects . I know it has been said that there is no necessity for marking all the different ... falls under emphatical divisions which are called ca- dences . A cadence , then , is a portion of sound RHYTHMICAL GRAMMAR ...
Էջ 228
... fall away into nothing almost as !! e le created ? soon as it is created ? Exception . When the question is repeated with 1 passion and strong emphasis ; as , When do you go tó college ? 8. Questions formed without interrogative words ...
... fall away into nothing almost as !! e le created ? soon as it is created ? Exception . When the question is repeated with 1 passion and strong emphasis ; as , When do you go tó college ? 8. Questions formed without interrogative words ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words