The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 24–ի 1-ից 3-ը:
Էջ 66
... feelings of the reader or speaker . In composition , to mark the structure of sen- tences , to separate the clauses , branches and mem- bers that constitute them , is the object of Gramma- tical punctuation , and has no reference to ...
... feelings of the reader or speaker . In composition , to mark the structure of sen- tences , to separate the clauses , branches and mem- bers that constitute them , is the object of Gramma- tical punctuation , and has no reference to ...
Էջ 178
... feels gratitude for its bounty . addresses the God of Fire with hymns of praise , and songs of triumph . But in vain should he at- tempt to make that sun share his gratification . It heeds no protestations ; it feels no emotions : but ...
... feels gratitude for its bounty . addresses the God of Fire with hymns of praise , and songs of triumph . But in vain should he at- tempt to make that sun share his gratification . It heeds no protestations ; it feels no emotions : but ...
Էջ 279
... feeling and expression which is necessary , in order to do justice to the language and the ideas , are not at- tempted to be communicated by any written marks , but , as in music , are left to the taste , judgment , and feeling of the ...
... feeling and expression which is necessary , in order to do justice to the language and the ideas , are not at- tempted to be communicated by any written marks , but , as in music , are left to the taste , judgment , and feeling of the ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words