The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 29–ի 1-ից 3-ը:
Էջ 86
... five and . These two lines , namely , .. one twor three four fiver And one and two and three and four and five and , .. are exactly of the same length as to time in music , or rhythm in spcech : the syllable and occupying no more time ...
... five and . These two lines , namely , .. one twor three four fiver And one and two and three and four and five and , .. are exactly of the same length as to time in music , or rhythm in spcech : the syllable and occupying no more time ...
Էջ 104
... five feet , or rather of five cadences of musical time , ex- clusive of rests or pauses , there will be half a bar or cadence of sound , at the beginning , and half a bar or cadence , at the end - that is , it will begin with light and ...
... five feet , or rather of five cadences of musical time , ex- clusive of rests or pauses , there will be half a bar or cadence of sound , at the beginning , and half a bar or cadence , at the end - that is , it will begin with light and ...
Էջ 241
... five heavy mono- syllables as long as the same line with five additional light syllables ? 30. What is the first class of words to be written out by the scholar ? 31. What is the second ? 32. Should he write out words of three syllables ...
... five heavy mono- syllables as long as the same line with five additional light syllables ? 30. What is the first class of words to be written out by the scholar ? 31. What is the second ? 32. Should he write out words of three syllables ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words