The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 38–ի 1-ից 3-ը:
Էջ xv
... Force . { Double circumflex , interjective Semibrief , or longest quantity o Minim , or long quantity p Crotchet ... force v . Soft , softer , softest *** . Loud , louder ** , loudest *** . Bars , or boundaries of cadences | | . Increase ...
... Force . { Double circumflex , interjective Semibrief , or longest quantity o Minim , or long quantity p Crotchet ... force v . Soft , softer , softest *** . Loud , louder ** , loudest *** . Bars , or boundaries of cadences | | . Increase ...
Էջ 82
... force or stress by which syllables , words , or clauses , are distinguished from one another . Emphasis may be divided into four sorts : -Or- ganic Emphasis ; Syllabic Emphasis ; Emphasis of Force , and Emphasis of Sense . Emphasis of Force ...
... force or stress by which syllables , words , or clauses , are distinguished from one another . Emphasis may be divided into four sorts : -Or- ganic Emphasis ; Syllabic Emphasis ; Emphasis of Force , and Emphasis of Sense . Emphasis of Force ...
Էջ 87
... force , must have a distinct stroke of the organs of speech , while the syllable that is without this force , from the slight effort necessary to articulate it , may , compara- tively , be said to have no force . The organs , when they ...
... force , must have a distinct stroke of the organs of speech , while the syllable that is without this force , from the slight effort necessary to articulate it , may , compara- tively , be said to have no force . The organs , when they ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words