The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 92–ի 1-ից 3-ը:
Էջ 83
... nature of that mo- dulation which belongs to speech , and what the essen- tial difference is between speech and song . But , with- out a concurrent accuracy in the use of terms , we shall never be secure from occasional confusion , even ...
... nature of that mo- dulation which belongs to speech , and what the essen- tial difference is between speech and song . But , with- out a concurrent accuracy in the use of terms , we shall never be secure from occasional confusion , even ...
Էջ 176
... nature , and carried to its utmost extent , it lays down this maxim , " That ancestry gives a right to dishonour and degrade itself . ” After all , what is high birth ? Does it be- stow a nature different from that of the rest of man ...
... nature , and carried to its utmost extent , it lays down this maxim , " That ancestry gives a right to dishonour and degrade itself . ” After all , what is high birth ? Does it be- stow a nature different from that of the rest of man ...
Էջ 345
... nature , for any thing so overdone is from the purpose of playing whose end , both at the first and now , was and is , to hold , as ' twere , the mirror up to nature ; to shew virtue her own feature , scorn her own image , and the very ...
... nature , for any thing so overdone is from the purpose of playing whose end , both at the first and now , was and is , to hold , as ' twere , the mirror up to nature ; to shew virtue her own feature , scorn her own image , and the very ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words