The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 50–ի 1-ից 3-ը:
Էջ 6
... never practise his les- son but in the presence of the master . Respectable teachers of music , do not attempt to teach pupils who will not study at home . Why do not teachers of elo- cution require , nay , demand a similar preparation ...
... never practise his les- son but in the presence of the master . Respectable teachers of music , do not attempt to teach pupils who will not study at home . Why do not teachers of elo- cution require , nay , demand a similar preparation ...
Էջ 128
... never upon mere syllables . This loudness or softness , the application of which , in musical language , is said to be ad libitum , that is , at the pleasure of the performer , is totally different from the emphasis of and , which is never ...
... never upon mere syllables . This loudness or softness , the application of which , in musical language , is said to be ad libitum , that is , at the pleasure of the performer , is totally different from the emphasis of and , which is never ...
Էջ 208
... never could have occurred to him , that the above words were accented ( as he calls it ) wrong by the poet . For there cannot be a greater mistake , nor can any thing show less knowledge of the rhythm of Mil- tonic measures , than to ...
... never could have occurred to him , that the above words were accented ( as he calls it ) wrong by the poet . For there cannot be a greater mistake , nor can any thing show less knowledge of the rhythm of Mil- tonic measures , than to ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words