The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 20–ի 1-ից 3-ը:
Էջ 13
... object of our preference . But it is said , that music , by its impressions on one sense , may excite affections ... object , but by producing in the soul the same movements , which we should naturally feel were the object present . It ...
... object of our preference . But it is said , that music , by its impressions on one sense , may excite affections ... object , but by producing in the soul the same movements , which we should naturally feel were the object present . It ...
Էջ 14
... object , from its energy as a source of pathetic emotions . Thus we draw the line between painting and music ; nor does the occasion call for a master- stroke , their situation will be marked in the choice of their objects : as ...
... object , from its energy as a source of pathetic emotions . Thus we draw the line between painting and music ; nor does the occasion call for a master- stroke , their situation will be marked in the choice of their objects : as ...
Էջ 179
James Chapman. On Religion . 9. Religion elevates us above terrestrial objects . What is the object of all our occupations here be- low ? Follow men to the bar , to the council board , to the public or private assemblies , whenever they ...
James Chapman. On Religion . 9. Religion elevates us above terrestrial objects . What is the object of all our occupations here be- low ? Follow men to the bar , to the council board , to the public or private assemblies , whenever they ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words