The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 29–ի 1-ից 3-ը:
Էջ viii
... observed , once for all , that it is their works and not the authors , as men , that he has ventured to oppose . Without following implicitly the opinions of any philologist , either ancient or modern , however high in fame , the author ...
... observed , once for all , that it is their works and not the authors , as men , that he has ventured to oppose . Without following implicitly the opinions of any philologist , either ancient or modern , however high in fame , the author ...
Էջ 8
... observed , that he considers no man entitled to the epithet of a great orator , who excels only either in matter or in manner ; — to complete the character , and deserve the name , he must excel in both . The names of Demosthenes and ...
... observed , that he considers no man entitled to the epithet of a great orator , who excels only either in matter or in manner ; — to complete the character , and deserve the name , he must excel in both . The names of Demosthenes and ...
Էջ 249
... observed with respect to prosodial feet , in order to read Milton properly ? 55. What method does Mr L. Murray , in his English Grammar , follow , in measuring verse ? 56. What method does Dr Carey follow , in his English prosody ...
... observed with respect to prosodial feet , in order to read Milton properly ? 55. What method does Mr L. Murray , in his English Grammar , follow , in measuring verse ? 56. What method does Dr Carey follow , in his English prosody ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words