The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 26–ի 1-ից 3-ը:
Էջ 21
... passion the voice runs very high into the acute and very low into the grave ; in such cases it frequently exceeds a fifth on the musical scale . In speaking to an audience , when the language is not impassioned , where the first ...
... passion the voice runs very high into the acute and very low into the grave ; in such cases it frequently exceeds a fifth on the musical scale . In speaking to an audience , when the language is not impassioned , where the first ...
Էջ 108
... passions . Now , the union of measure with passion is founded on the principle of an according movement . Lucretius felt the force of this principle in music , and seems to have inferred from it , that , in the beginning of time , passion ...
... passions . Now , the union of measure with passion is founded on the principle of an according movement . Lucretius felt the force of this principle in music , and seems to have inferred from it , that , in the beginning of time , passion ...
Էջ 144
... passion as they spring from the soul painting waits until they rise into action , or determine in character ; poetry , as she possesses the advantages of both , so she enters at pleasure into the province of either , and her imitations ...
... passion as they spring from the soul painting waits until they rise into action , or determine in character ; poetry , as she possesses the advantages of both , so she enters at pleasure into the province of either , and her imitations ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words