The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 66–ի 1-ից 3-ը:
Էջ 5
... proper examination , that very rarely , indeed , are any of them the consequence of physical organization , but have their origin in the causes above mentioned . All of them might be prevented by proper , early , initiation ; — all of ...
... proper examination , that very rarely , indeed , are any of them the consequence of physical organization , but have their origin in the causes above mentioned . All of them might be prevented by proper , early , initiation ; — all of ...
Էջ 84
... properly denominated light syl- lables . Accurately speaking , these cannot exceed two syllables ; for if there are three light syllables thrown in , the articulation must unavoidably be bad , or another organic emphasis must of ...
... properly denominated light syl- lables . Accurately speaking , these cannot exceed two syllables ; for if there are three light syllables thrown in , the articulation must unavoidably be bad , or another organic emphasis must of ...
Էջ 152
... properly suited , gives a most exquisite re- lief . But when the recitative , as formed for the Ita- lian speech , and fitted to it , is applied , by ignorant imi- tators , to other languages , whose melodies , in their na- tural ...
... properly suited , gives a most exquisite re- lief . But when the recitative , as formed for the Ita- lian speech , and fitted to it , is applied , by ignorant imi- tators , to other languages , whose melodies , in their na- tural ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words