The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 88–ի 1-ից 3-ը:
Էջ 129
... rhythmical pulsation , yet it would be tire- some and offensive if it continued so for any length of time . The application of the loud and soft , both in music and in language , either for ornament or use , must not be indiscriminate ...
... rhythmical pulsation , yet it would be tire- some and offensive if it continued so for any length of time . The application of the loud and soft , both in music and in language , either for ornament or use , must not be indiscriminate ...
Էջ 194
... rhythmical mode of measuring , the na- tural and musical cadences are all preserved entire , and run distinctly from heavy to light : -By the second , or artificial feet , the cadences are in- verted and the music destroyed , by making ...
... rhythmical mode of measuring , the na- tural and musical cadences are all preserved entire , and run distinctly from heavy to light : -By the second , or artificial feet , the cadences are in- verted and the music destroyed , by making ...
Էջ 232
... rhythmical arrangement of accent ; and it is with some diffidence I venture upon a farther explication of this subject , upon principles ( viz . those of the har- mony of prosaic inflexions ) , which have never yet been thought of : but ...
... rhythmical arrangement of accent ; and it is with some diffidence I venture upon a farther explication of this subject , upon principles ( viz . those of the har- mony of prosaic inflexions ) , which have never yet been thought of : but ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words