The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 էջ |
From inside the book
Արդյունքներ 68–ի 1-ից 3-ը:
Էջ ix
... voice only , there being no guides to direct the eye , and enable us duly to appreciate their value and importance . 4. By this , the ear is tuned to perceive and re- lish that delicacy of tone , and the voice to execute those melodious ...
... voice only , there being no guides to direct the eye , and enable us duly to appreciate their value and importance . 4. By this , the ear is tuned to perceive and re- lish that delicacy of tone , and the voice to execute those melodious ...
Էջ 79
... voice of sing- ing men and the voice of singing women , ' with the sound of the viol and the lute , have broke in upon his soul , and in some tender note1 have touched the secret springs of rapture that mo- ment let us dissect and look ...
... voice of sing- ing men and the voice of singing women , ' with the sound of the viol and the lute , have broke in upon his soul , and in some tender note1 have touched the secret springs of rapture that mo- ment let us dissect and look ...
Էջ 151
... voice , and with the same de- gree of force , but with the same inflexions or accents of voice . In this delivery , if it deserve the name , there is not one syllable pronounced in perfect monotone : every syllable is accented , but the ...
... voice , and with the same de- gree of force , but with the same inflexions or accents of voice . In this delivery , if it deserve the name , there is not one syllable pronounced in perfect monotone : every syllable is accented , but the ...
Բովանդակություն
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
Հեղինակային իրավունք | |
22 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words