East West Poetics at Work: Papers Presented at the Seminar on Indian and Western Poetics at Work, Dhvanyaloka, Mysore, January 1991The Papers Brought Together In This Volume Were Presented At A Seminar Organised In January 1991 Under The Joint Auspices Of The Sahitya Akademi And The Literary Criterion Centre, Dvanyaloka, Mysore. In Collaboration With The Indian Association Of Commonwealth Literature. Several Scholarly Papers Were Presented At The Seminar On The Indian Concept Of Natya, Dhvani, Aucitya And Alankara. Erudite Scholars From All Parts Of The Country Took Part. This Seminar Represents The Third Phase Of The Interaction Between Indian And Western Critical Endeavours. Sahitya Akademi Is Happy To Bring Out These Papers In Book-Form For The Benefit Of Discerning Scholars, Academics And General Readers. |
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INTRODUCTION | 5 |
TOWARDS AN ENRICHED HERITAGE | 17 |
vi | 20 |
POINT OF VIEW IN COMPARATIVE CRITICISM | 35 |
THE CONCEPT OF SAHRDAYA | 48 |
VICTOR BORISOVITCH SHKLOVSKY | 57 |
KAMARUPA the willed form | 69 |
THE VALIDITY AND SCOPE OF RASA | 77 |
THE TECHNIQUE OF PLOT CONSTRUCTION IN SANSKRIT | 140 |
MADHYAMAVYAYOGA | 146 |
AUROBINDO | 154 |
ANANDAVARDHANAREADING THE MAHABHARATA | 162 |
LOLITA FROM THE PERSPECTIVE OF INDIAN POETICS | 169 |
OF RASADHVANI AMONG OTHER CRITERIA | 179 |
AUCITYA AS A CRITERION OF LITERARY ASSESSMENT | 189 |
AN ENQUIRY INTO RASA CONFIGURATION | 199 |
AN EXAMINATION | 88 |
RASAUCHITYA AS A CRITERION OF LITERARY | 95 |
THE RASA VIEW OF ART AND ITS ADVANTAGES OVER | 109 |
DOCTRINE OF DHVANI IN PRACTICAL APPLICATION | 118 |
A CRITICAL APPRECIATION OF MEGHA DUTA | 131 |
THE TENDRIL AND THE ROOT | 213 |
VAKROKTI IN THE POETRY OF HOPKINS | 223 |
SVABHAVOKTI OF A SYMBOLIST | 230 |
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Common terms and phrases
achieved aesthetic analysis Anandavardhana applied approach beauty becomes body bring called century character comes communication complete concept considered context created creative criticism cultural death described developed dhvani drama effect elements emotion evoke example existence experience expression fact fear feeling figures final function Gandhi gives heart human idea illustrate imagination important Indian instance interesting interpretation kind Krishna language lead lines linguistic literary literature living look meaning mind mood mother nature novel objects particular perception person play poem poet poetic poetry practice present principle rasa reader reading reality reference relation represented response result Sanskrit says scholars seems sense shows significance sound speech stands stanza story structure suggested symbols technique theory things thought tradition understand universal verse Western whole writing