Feeling and Imagination: The Vibrant Flux of Our ExistenceRowman & Littlefield, 2001 - 223 էջ This book is a humanistic inquiry into the nature of feeling, with particular emphasis upon the way that imagination, idealization, consummation, and the aesthetic contribute not only to the texture of our experience but also to the values that are generated by means of them. Love, sex, and compassion are studied as modes of attachment that human beings create, very often as the outcome of prior failures in their personal relations. |
From inside the book
Արդյունքներ 30–ի 1-ից 5-ը:
Էջ 6
... , athletes and men or women of action are their own instruments , though they too depend on technologies they employ . Almost all of our existence may be similar in that respect . With this as our guiding principle , we 6 INTRODUCTION.
... , athletes and men or women of action are their own instruments , though they too depend on technologies they employ . Almost all of our existence may be similar in that respect . With this as our guiding principle , we 6 INTRODUCTION.
Էջ 15
... woman must be accepted as he or she is , in his or her indefeasible reality , which includes appraised value but is not limited to that . By its very nature , attachment consists of nascent or developed bestowals as well as appraisals ...
... woman must be accepted as he or she is , in his or her indefeasible reality , which includes appraised value but is not limited to that . By its very nature , attachment consists of nascent or developed bestowals as well as appraisals ...
Էջ 16
... women to satisfy these aspirations through which they create themselves , we do not always depict their frequent failures as thoroughly as we should . This shortcoming may possibly result from our professional preoccupation with ideas ...
... women to satisfy these aspirations through which they create themselves , we do not always depict their frequent failures as thoroughly as we should . This shortcoming may possibly result from our professional preoccupation with ideas ...
Էջ 18
... though metaphysical rage , such as Dr. Lecter in The Silence of the Lambs . Some women fall passionately in love with one after another of these tormented but sadistic weaklings . In analyzing the negativity that 18 INTRODUCTION.
... though metaphysical rage , such as Dr. Lecter in The Silence of the Lambs . Some women fall passionately in love with one after another of these tormented but sadistic weaklings . In analyzing the negativity that 18 INTRODUCTION.
Էջ 37
Ներեցեք, այս էջի պարունակությունն արգելված է:.
Ներեցեք, այս էջի պարունակությունն արգելված է:.
Բովանդակություն
Imagination | 21 |
Idealization | 59 |
Consummation | 95 |
The Aesthetic | 143 |
Affective Failure and Renewal | 179 |
Notes | 209 |
217 | |
About the Author | |
Այլ խմբագրություններ - View all
Common terms and phrases
ability accept achievement actual aesthetic truth affective attachments affective failure affirmative alienation amor fati appraisal art form artistic Aschenbach Attachment Theory attain attitude awareness beauty become behavior believe Bowlby claim cognitive compassion conception consummation consummatory cosmic create creative creatures Death in Venice detachment emotional erotic ethical everything evil existence experience express fact faith feelings fiction Fidelio film Freud Friedrich Nietzsche George Santayana goal happens happiness hedonic ideas imaginary imagination and idealization individual innovative intellect interpersonal love Irving Singer John Bowlby Kant kind libidinal living lover meaning meaningful metaphysical moral Nature of Love Nietzsche object occur opera ourselves person philosophers Plato present Proust Pursuit of Love reason recognize relation religion religious response romantic love romanticism Ryabovich Schopenhauer scientific sense of reality sentiments sexual love social Socrates species Spinoza spirit theory things Thomas Mann thought throughout tragedy Turandot universe women
Սիրված հատվածներ
Էջ ix - The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was.