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CH. VII. “ MELODY,"
178 Examples,
271-284
“Pitch,”
179 Accent,
284
“ Middle,"
180 Syllabic,”
284-286
Examples,
186 “ Rhythmical,”
286-289
“Low,
186
Examples,
289-292
Examples,
188
Prosodial, or Metrical, 292, 993
“ Very Low,”
189
sambic Metre, 293-295
Examples,
190-192 Trochaic,
296
“ High,”
193
Anapæstic,
296
Examples,
Rhythmical and Prosodial
" Very High,"
195
Accent, combined, 296-300
Examples,
Ch. IX. EmphasiS AND Ex-
" Transition"
'» in Pitch,
PRESSION
309
Examples,
199-203 Impassioned Emphasis, 301
" Phrases " of "Sentential Unimpassioned
301
Melody,"
203-207 Examples,
The "Sliảe,"i
207-211 Arbitrary Emphasis, :
307-310
“ Impassioned,"
Expression,
Examples,
211-214 APPENDIX,
313
“Distinctive,”
214 Cultivation of Pure Tone, . 313
Examples,
215-217 PIECES FOR PRACTICE,
. 315
“ Mechanical,"
217 Exercise I. A Sea Voyage,
315
Examples,
218-222
II. Death of Morris, 318
The “ Wave,"
III. The Planetary Sys-
Examples,
223-227
tems,
320
The “Monotone,” 227-229
IV. Chatham's Rebuke
Examples,
230-234
of Lord Suffolk, 321
The “ Semitone," 234-238
V. Speech of Patrick
Examples,
238-244
Henry,
322
CH. VIII. * Time,"
VI. The Ocean, 323
" Quantity,
245
VII. Waterloo,
324
"Immutable " syllables,
VIII. Satan rallying the
“Mutable,"
246
Fallen Angels, 326
“ Indefinite,"
246
IX. Hymn to Mt. Blanc, 329
Exercises in " Quantity,”
X. Ode on the Pas-
Syllables,
249
sions,
329
Phrases and sentences, 250-257 XI. God's Answer to
Pauses,
257-259
Job,
332
Poetic and Oratorical, 259, 260 XII. Extracts from the
Examples,
260-263
Ninth Chapter
“Rhetorical” Pauses, 263, 264
of John,
332
Examples,
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