Peasants and Countrymen in Literature: A Symposium Organised by the English Department of the Roehampton Institute in February 1981Kathleen Parkinson, Martin Priestman English Department, Roehampton Institute of Higher Education, 1982 - 210 էջ |
From inside the book
Արդյունքներ 28–ի 1-ից 3-ը:
Էջ 40
... called the ' partisanship of objectivity ' . Lewis Grassic Gibbon's Scots Quair is a ' realistic ' novel of peasant life , in this tradition , since , as Williams says , ' he speaks for many who never got to speak for themselves in ...
... called the ' partisanship of objectivity ' . Lewis Grassic Gibbon's Scots Quair is a ' realistic ' novel of peasant life , in this tradition , since , as Williams says , ' he speaks for many who never got to speak for themselves in ...
Էջ 55
... called the ' universe's amplifier'12 ; Berger might be called the peasant's loud - speaker . Pig Earth is conceived as ' a struggle to give meaning to experience ' ( p.6 ) . Because experience is ' indivisible and continuous ' , it ...
... called the ' universe's amplifier'12 ; Berger might be called the peasant's loud - speaker . Pig Earth is conceived as ' a struggle to give meaning to experience ' ( p.6 ) . Because experience is ' indivisible and continuous ' , it ...
Էջ 136
... called upon to justify his pretensions by reason and philosophy . ( Waverley Ch . 60 ) The passage centres on the concept of " real history " , but if we note the distribution of the verbs and the work they are called 136.
... called upon to justify his pretensions by reason and philosophy . ( Waverley Ch . 60 ) The passage centres on the concept of " real history " , but if we note the distribution of the verbs and the work they are called 136.
Բովանդակություն
HEARING HIM | 25 |
REALISM AND COUNTRY PEOPLE | 39 |
ROMAN AGRICULTURE AND THE EUROPEAN | 59 |
Հեղինակային իրավունք | |
5 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
actually aesthetic agricultural appear artistic attempt become bourgeois called capitalism century characters Clare complex concerned continuity contradictions criticism culture described early economic effect Eliot English experience eyes fact figure function give Gogh Gogh's going hands head human idea ideal images important interesting Italy John John Berger kind knowledge labour land landscape later less literary literature live London look material meaning narrative nature novel painting particular passage past pastoral peasant peasantry perhaps picture Piers Plowman poem political present problem production question reader reading reflection relations represent representation Romola rural Scott Scottish seems seen sense social society story suggests talking things tradition values Van Gogh village voice whole writing