Peasants and Countrymen in Literature: A Symposium Organised by the English Department of the Roehampton Institute in February 1981Kathleen Parkinson, Martin Priestman English Department, Roehampton Institute of Higher Education, 1982 - 210 էջ |
From inside the book
Արդյունքներ 23–ի 1-ից 3-ը:
Էջ 98
... face value , for they are made by kindred spirits such as clerical magistrates , distributors of stamps and minor provincial civil servants . If pastoral is propaganda for the victors , then it is possible to develop an alternative ...
... face value , for they are made by kindred spirits such as clerical magistrates , distributors of stamps and minor provincial civil servants . If pastoral is propaganda for the victors , then it is possible to develop an alternative ...
Էջ 193
... face . What results is a powerful and disturbing image of otherness . The drawing indicates that Van Gogh was making deliberate choices about what to draw and how to draw it . We know he experimented with a range of media and a variety ...
... face . What results is a powerful and disturbing image of otherness . The drawing indicates that Van Gogh was making deliberate choices about what to draw and how to draw it . We know he experimented with a range of media and a variety ...
Էջ 200
... face . But in retreating to the countryside in the 1880s he could not avoid its other face , the upheavals in agricultural production ( exploitation of the heaths , beet - sugar factories , wretched weavers etc. ) . His move to Brabant ...
... face . But in retreating to the countryside in the 1880s he could not avoid its other face , the upheavals in agricultural production ( exploitation of the heaths , beet - sugar factories , wretched weavers etc. ) . His move to Brabant ...
Բովանդակություն
HEARING HIM | 25 |
REALISM AND COUNTRY PEOPLE | 39 |
ROMAN AGRICULTURE AND THE EUROPEAN | 59 |
Հեղինակային իրավունք | |
5 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
actually aesthetic agricultural appear artistic attempt become bourgeois called capitalism century characters Clare complex concerned continuity contradictions criticism culture described early economic effect Eliot English experience eyes fact figure function give Gogh Gogh's going hands head human idea ideal images important interesting Italy John John Berger kind knowledge labour land landscape later less literary literature live London look material meaning narrative nature novel painting particular passage past pastoral peasant peasantry perhaps picture Piers Plowman poem political present problem production question reader reading reflection relations represent representation Romola rural Scott Scottish seems seen sense social society story suggests talking things tradition values Van Gogh village voice whole writing