Peasants and Countrymen in Literature: A Symposium Organised by the English Department of the Roehampton Institute in February 1981Kathleen Parkinson, Martin Priestman English Department, Roehampton Institute of Higher Education, 1982 - 210 էջ |
From inside the book
Արդյունքներ 40–ի 1-ից 3-ը:
Էջ 57
... land : There is where I am going to build . Who does it belong to ? Me You ! The dead own everything , she said . So you have land now . Land but no seasons . How do you plant ? We don't , we have no reason to , we have access to all ...
... land : There is where I am going to build . Who does it belong to ? Me You ! The dead own everything , she said . So you have land now . Land but no seasons . How do you plant ? We don't , we have no reason to , we have access to all ...
Էջ 62
... land was in the North of Italy . And hence a system of cyclic dispossession was established . The landless join the army , and do well . They are settled on land , through the eviction of the occupiers , who in turn become landless ...
... land was in the North of Italy . And hence a system of cyclic dispossession was established . The landless join the army , and do well . They are settled on land , through the eviction of the occupiers , who in turn become landless ...
Էջ 174
... land - holding peasant the transition to capitalism creates capitalist farmers out of large land - holders , and a dispossessed class of former small land - holders who pass into the labour market in overwork and under - consumption ...
... land - holding peasant the transition to capitalism creates capitalist farmers out of large land - holders , and a dispossessed class of former small land - holders who pass into the labour market in overwork and under - consumption ...
Բովանդակություն
HEARING HIM | 25 |
REALISM AND COUNTRY PEOPLE | 39 |
ROMAN AGRICULTURE AND THE EUROPEAN | 59 |
Հեղինակային իրավունք | |
5 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
actually aesthetic agricultural appear artistic attempt become bourgeois called capitalism century characters Clare complex concerned continuity contradictions criticism culture described early economic effect Eliot English experience eyes fact figure function give Gogh Gogh's going hands head human idea ideal images important interesting Italy John John Berger kind knowledge labour land landscape later less literary literature live London look material meaning narrative nature novel painting particular passage past pastoral peasant peasantry perhaps picture Piers Plowman poem political present problem production question reader reading reflection relations represent representation Romola rural Scott Scottish seems seen sense social society story suggests talking things tradition values Van Gogh village voice whole writing