Peasants and Countrymen in Literature: A Symposium Organised by the English Department of the Roehampton Institute in February 1981Kathleen Parkinson, Martin Priestman English Department, Roehampton Institute of Higher Education, 1982 - 210 էջ |
From inside the book
Արդյունքներ 30–ի 1-ից 3-ը:
Էջ 128
... material and cultural production . I suggest that his success in this derives to a great extent from his critical absorption in the variety of human and narrative discourse which contribute to the making of his novels . At one level , I ...
... material and cultural production . I suggest that his success in this derives to a great extent from his critical absorption in the variety of human and narrative discourse which contribute to the making of his novels . At one level , I ...
Էջ 146
... material , but endorses a particular emphasis by his choice of title , Old Mortality . Robert Paterson , or ' Old Mortality ' , a virtual namesake of the other conjectural narrator , Peter Pattieson , is first encountered in the ...
... material , but endorses a particular emphasis by his choice of title , Old Mortality . Robert Paterson , or ' Old Mortality ' , a virtual namesake of the other conjectural narrator , Peter Pattieson , is first encountered in the ...
Էջ 160
... material form in which we acquire knowledge of the characters and events that are to be displayed before us . The ' turning of a leaf " is the implanted consciousness that we are reading a book . We are at this point no longer sharing ...
... material form in which we acquire knowledge of the characters and events that are to be displayed before us . The ' turning of a leaf " is the implanted consciousness that we are reading a book . We are at this point no longer sharing ...
Բովանդակություն
HEARING HIM | 25 |
REALISM AND COUNTRY PEOPLE | 39 |
ROMAN AGRICULTURE AND THE EUROPEAN | 59 |
Հեղինակային իրավունք | |
5 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
actually aesthetic agricultural appear artistic attempt become bourgeois called capitalism century characters Clare complex concerned continuity contradictions criticism culture described early economic effect Eliot English experience eyes fact figure function give Gogh Gogh's going hands head human idea ideal images important interesting Italy John John Berger kind knowledge labour land landscape later less literary literature live London look material meaning narrative nature novel painting particular passage past pastoral peasant peasantry perhaps picture Piers Plowman poem political present problem production question reader reading reflection relations represent representation Romola rural Scott Scottish seems seen sense social society story suggests talking things tradition values Van Gogh village voice whole writing