Peasants and Countrymen in Literature: A Symposium Organised by the English Department of the Roehampton Institute in February 1981Kathleen Parkinson, Martin Priestman English Department, Roehampton Institute of Higher Education, 1982 - 210 էջ |
From inside the book
Արդյունքներ 23–ի 1-ից 3-ը:
Էջ 12
... memory ? John Berger Yes . The simple answer is that in talking and listening a great , great deal to the people that I know there , I find that the real history of the village is much better told by women than by men . Not because they ...
... memory ? John Berger Yes . The simple answer is that in talking and listening a great , great deal to the people that I know there , I find that the real history of the village is much better told by women than by men . Not because they ...
Էջ 23
... memory and photographic images of course is not parallel , and it is a very complicated subject we are coming on to ... memory , and memory is very vulnerable in fact : fantasy , fear , anxiety , a constantly different movement about in ...
... memory and photographic images of course is not parallel , and it is a very complicated subject we are coming on to ... memory , and memory is very vulnerable in fact : fantasy , fear , anxiety , a constantly different movement about in ...
Էջ 162
... memories — memories of a dead mother , of a lost brother , of a blind father's happier time — memories of a far - off light , love , and beauty , that lay embedded in dark mines of books , and could hardly give out their brightness ...
... memories — memories of a dead mother , of a lost brother , of a blind father's happier time — memories of a far - off light , love , and beauty , that lay embedded in dark mines of books , and could hardly give out their brightness ...
Բովանդակություն
HEARING HIM | 25 |
REALISM AND COUNTRY PEOPLE | 39 |
ROMAN AGRICULTURE AND THE EUROPEAN | 59 |
Հեղինակային իրավունք | |
5 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
actually aesthetic agricultural appear artistic attempt become bourgeois called capitalism century characters Clare complex concerned continuity contradictions criticism culture described early economic effect Eliot English experience eyes fact figure function give Gogh Gogh's going hands head human idea ideal images important interesting Italy John John Berger kind knowledge labour land landscape later less literary literature live London look material meaning narrative nature novel painting particular passage past pastoral peasant peasantry perhaps picture Piers Plowman poem political present problem production question reader reading reflection relations represent representation Romola rural Scott Scottish seems seen sense social society story suggests talking things tradition values Van Gogh village voice whole writing