Peasants and Countrymen in Literature: A Symposium Organised by the English Department of the Roehampton Institute in February 1981Kathleen Parkinson, Martin Priestman English Department, Roehampton Institute of Higher Education, 1982 - 210 էջ |
From inside the book
Արդյունքներ 28–ի 1-ից 3-ը:
Էջ 190
... painting . Van Gogh hoped it would also be seen as modern . - II The Potato Eaters , painted in April and early May ... painting . When the painting was almost completed , Van Gogh gave what he had hitherto described as ' a composition ...
... painting . Van Gogh hoped it would also be seen as modern . - II The Potato Eaters , painted in April and early May ... painting . When the painting was almost completed , Van Gogh gave what he had hitherto described as ' a composition ...
Էջ 198
... paintings , why then did Van Gogh not call his painting Grace Before Meat , Peasant Family at Mealtime , or Peasants at Dinner as he later called a drawing done in St. Rémy which resumes the theme ( LT 629 ) ? Why did he provide so ...
... paintings , why then did Van Gogh not call his painting Grace Before Meat , Peasant Family at Mealtime , or Peasants at Dinner as he later called a drawing done in St. Rémy which resumes the theme ( LT 629 ) ? Why did he provide so ...
Էջ 202
... painting The Potato Eaters does not state this plainly or obviously . The figures are frozen , suspended , silenced . Despite the extensive work on it , the painting does not cohere to signify an unequivocal message . But it does ...
... painting The Potato Eaters does not state this plainly or obviously . The figures are frozen , suspended , silenced . Despite the extensive work on it , the painting does not cohere to signify an unequivocal message . But it does ...
Բովանդակություն
HEARING HIM | 25 |
REALISM AND COUNTRY PEOPLE | 39 |
ROMAN AGRICULTURE AND THE EUROPEAN | 59 |
Հեղինակային իրավունք | |
5 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
actually aesthetic agricultural appear artistic attempt become bourgeois called capitalism century characters Clare complex concerned continuity contradictions criticism culture described early economic effect Eliot English experience eyes fact figure function give Gogh Gogh's going hands head human idea ideal images important interesting Italy John John Berger kind knowledge labour land landscape later less literary literature live London look material meaning narrative nature novel painting particular passage past pastoral peasant peasantry perhaps picture Piers Plowman poem political present problem production question reader reading reflection relations represent representation Romola rural Scott Scottish seems seen sense social society story suggests talking things tradition values Van Gogh village voice whole writing