Peasants and Countrymen in Literature: A Symposium Organised by the English Department of the Roehampton Institute in February 1981Kathleen Parkinson, Martin Priestman English Department, Roehampton Institute of Higher Education, 1982 - 210 էջ |
From inside the book
Արդյունքներ 39–ի 1-ից 3-ը:
Էջ 9
... seen , but where what has just been seen is suddenly related , or relates itself , to what is seen afterwards . The story is called " If Each Time " because she said once , " If each time I'd milked a cow somebody had given me a penny I ...
... seen , but where what has just been seen is suddenly related , or relates itself , to what is seen afterwards . The story is called " If Each Time " because she said once , " If each time I'd milked a cow somebody had given me a penny I ...
Էջ 131
... seen to reproduce the processes of structural composition or compilation . The two ' techniques ' are united by common qualities of self - reflexiveness and self - exposure . They should not be seen as separable and indeed the way in ...
... seen to reproduce the processes of structural composition or compilation . The two ' techniques ' are united by common qualities of self - reflexiveness and self - exposure . They should not be seen as separable and indeed the way in ...
Էջ 170
... seen as outside the contradictions of city - life , and as a source of inheritable value of a conservative socio - political nature . This is , after all , intended to be the importance of Romola's education of Lillo in the final ...
... seen as outside the contradictions of city - life , and as a source of inheritable value of a conservative socio - political nature . This is , after all , intended to be the importance of Romola's education of Lillo in the final ...
Բովանդակություն
HEARING HIM | 25 |
REALISM AND COUNTRY PEOPLE | 39 |
ROMAN AGRICULTURE AND THE EUROPEAN | 59 |
Հեղինակային իրավունք | |
5 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
actually aesthetic agricultural appear artistic attempt become bourgeois called capitalism century characters Clare complex concerned continuity contradictions criticism culture described early economic effect Eliot English experience eyes fact figure function give Gogh Gogh's going hands head human idea ideal images important interesting Italy John John Berger kind knowledge labour land landscape later less literary literature live London look material meaning narrative nature novel painting particular passage past pastoral peasant peasantry perhaps picture Piers Plowman poem political present problem production question reader reading reflection relations represent representation Romola rural Scott Scottish seems seen sense social society story suggests talking things tradition values Van Gogh village voice whole writing