Peasants and Countrymen in Literature: A Symposium Organised by the English Department of the Roehampton Institute in February 1981Kathleen Parkinson, Martin Priestman English Department, Roehampton Institute of Higher Education, 1982 - 210 էջ |
From inside the book
Արդյունքներ 31–ի 1-ից 3-ը:
Էջ 17
... voice of hers in it , I missed her voice . I didn't particularly miss a story , I didn't want you to explain the pictures , but I would have like to have heard her as well as seen the images . - John Berger I think two things about that ...
... voice of hers in it , I missed her voice . I didn't particularly miss a story , I didn't want you to explain the pictures , but I would have like to have heard her as well as seen the images . - John Berger I think two things about that ...
Էջ 18
... voice which is quite conceivably the voice of that woman . Question Is she feeling it or showing it ? Are we supposed to be entering into her experience of it or is she showing it to us , to another , to the other ? There was one slide ...
... voice which is quite conceivably the voice of that woman . Question Is she feeling it or showing it ? Are we supposed to be entering into her experience of it or is she showing it to us , to another , to the other ? There was one slide ...
Էջ 174
... voice of the small peasantry . The ' tragic jerking ' of the aristocracy is the repressed voice of another class , that of small peasant tenants dispossessed and robbed , either actually or legitimately , by the growing financial power ...
... voice of the small peasantry . The ' tragic jerking ' of the aristocracy is the repressed voice of another class , that of small peasant tenants dispossessed and robbed , either actually or legitimately , by the growing financial power ...
Բովանդակություն
HEARING HIM | 25 |
REALISM AND COUNTRY PEOPLE | 39 |
ROMAN AGRICULTURE AND THE EUROPEAN | 59 |
Հեղինակային իրավունք | |
5 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
actually aesthetic agricultural appear artistic attempt become bourgeois called capitalism century characters Clare complex concerned continuity contradictions criticism culture described early economic effect Eliot English experience eyes fact figure function give Gogh Gogh's going hands head human idea ideal images important interesting Italy John John Berger kind knowledge labour land landscape later less literary literature live London look material meaning narrative nature novel painting particular passage past pastoral peasant peasantry perhaps picture Piers Plowman poem political present problem production question reader reading reflection relations represent representation Romola rural Scott Scottish seems seen sense social society story suggests talking things tradition values Van Gogh village voice whole writing