Peasants and Countrymen in Literature: A Symposium Organised by the English Department of the Roehampton Institute in February 1981Kathleen Parkinson, Martin Priestman English Department, Roehampton Institute of Higher Education, 1982 - 210 էջ |
From inside the book
Արդյունքներ 39–ի 1-ից 3-ը:
Էջ 10
... whole horse but at least the whole head . " And that is also true of close - ups of people . If you have a portrait like that this is rejected because one should see the whole not simply a part . When it comes to making a frame round a ...
... whole horse but at least the whole head . " And that is also true of close - ups of people . If you have a portrait like that this is rejected because one should see the whole not simply a part . When it comes to making a frame round a ...
Էջ 118
... whole , shows Scott collapsing into a conventional pastoral genre ; yet the fact that this Arcady is the feudal fiefdom of the aristocratic Duke of Argyll reflects Scott's paternalist Tory political philosophy32 . Peasant farmers are to ...
... whole , shows Scott collapsing into a conventional pastoral genre ; yet the fact that this Arcady is the feudal fiefdom of the aristocratic Duke of Argyll reflects Scott's paternalist Tory political philosophy32 . Peasant farmers are to ...
Էջ 198
... whole genre itself in part stems from the theme of the Supper at Emmaus . But given this generic tradition of paintings , why then did Van Gogh not call his painting Grace Before Meat , Peasant Family at Mealtime , or Peasants at Dinner ...
... whole genre itself in part stems from the theme of the Supper at Emmaus . But given this generic tradition of paintings , why then did Van Gogh not call his painting Grace Before Meat , Peasant Family at Mealtime , or Peasants at Dinner ...
Բովանդակություն
HEARING HIM | 25 |
REALISM AND COUNTRY PEOPLE | 39 |
ROMAN AGRICULTURE AND THE EUROPEAN | 59 |
Հեղինակային իրավունք | |
5 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
actually aesthetic agricultural appear artistic attempt become bourgeois called capitalism century characters Clare complex concerned continuity contradictions criticism culture described early economic effect Eliot English experience eyes fact figure function give Gogh Gogh's going hands head human idea ideal images important interesting Italy John John Berger kind knowledge labour land landscape later less literary literature live London look material meaning narrative nature novel painting particular passage past pastoral peasant peasantry perhaps picture Piers Plowman poem political present problem production question reader reading reflection relations represent representation Romola rural Scott Scottish seems seen sense social society story suggests talking things tradition values Van Gogh village voice whole writing