Peasants and Countrymen in Literature: A Symposium Organised by the English Department of the Roehampton Institute in February 1981Kathleen Parkinson, Martin Priestman English Department, Roehampton Institute of Higher Education, 1982 - 210 էջ |
From inside the book
Արդյունքներ 31–ի 1-ից 3-ը:
Էջ 13
... writer ? Do you consider that writing about that community has a political effectivity or do you simply consider the writing about the community to be that of a story - teller ? In other words in thinking about how your work is ...
... writer ? Do you consider that writing about that community has a political effectivity or do you simply consider the writing about the community to be that of a story - teller ? In other words in thinking about how your work is ...
Էջ 14
... writing at that level in French , which first of all appeared a great disadvantage . In actual fact I now think that it was an advantage because it allowed a kind of distance . It allowed a certain kind of generalising , a kind of ...
... writing at that level in French , which first of all appeared a great disadvantage . In actual fact I now think that it was an advantage because it allowed a kind of distance . It allowed a certain kind of generalising , a kind of ...
Էջ 119
... writers does not much matter . The two strands of writing about lowland peasant life are to be entwined once more . The sentimental strand passes from Burns through Scott , where it accretes the conservative historical implication ...
... writers does not much matter . The two strands of writing about lowland peasant life are to be entwined once more . The sentimental strand passes from Burns through Scott , where it accretes the conservative historical implication ...
Բովանդակություն
HEARING HIM | 25 |
REALISM AND COUNTRY PEOPLE | 39 |
ROMAN AGRICULTURE AND THE EUROPEAN | 59 |
Հեղինակային իրավունք | |
5 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
actually aesthetic agricultural appear artistic attempt become bourgeois called capitalism century characters Clare complex concerned continuity contradictions criticism culture described early economic effect Eliot English experience eyes fact figure function give Gogh Gogh's going hands head human idea ideal images important interesting Italy John John Berger kind knowledge labour land landscape later less literary literature live London look material meaning narrative nature novel painting particular passage past pastoral peasant peasantry perhaps picture Piers Plowman poem political present problem production question reader reading reflection relations represent representation Romola rural Scott Scottish seems seen sense social society story suggests talking things tradition values Van Gogh village voice whole writing