Since thy return, through days and weeks Of hope that grew by stealth, Hare kindled into health! “ Another year is ours;" Have smiled upon thy flowers. Who tripping lisps a merry song Amid his playful peers ? A prisoner of fond fears; Is quiet in its sheath, Earth's sweetness in thy breath. Thy help is with the weed that creeps Along the humblest ground; No cliff so bare but on its steeps Thy favours may be found; But most on some peculiar nook That our own hands have drest, Thou and thy train are proud to look, And seem to love it best. And yet how pleased we wander forth When May is whispering, “Come! “ Choose from the bowers of virgin earth “ The happiest for your home; “Heaven's bounteous love through me is spread “ From sunshine, clouds, winds, waves, “Drops on the mouldering turret's head, “And on your turf-clad graves ! s!” Such greeting heard, away with sighs For lilies that must fade, Forsaken' in the shade! Are linked in endless chase; While, as one kindly growth retires, Another takes its place. And what if thou, sweet May, hast known Mishap by worm and blight; Have perished in thy sight; Were caught as in a snare; However bright and fair. Lo! Streams that April could not check Are patient of thy rule; Loitering in glassy pool: Such gentle mists as glide, On that green mountain's side. How delicate the leafy veil Through which yon house of God By few but shepherds trod! No sooner stand attired Peep forth, and are admired. Season of fancy and of hope, Permit not for one hour, Nor add to it a flower! Of self-restraining art, 1826–1834. XL. LINES SUGGESTED BY A PORTRAIT FROM THE PENCIL OF F. STONE. [This Portrait has hung for many years in our principal sitting room, and represents J. Q. as she was when a girl. The picture, though it is somewhat thinly painted, has much merit in tone and general effect : it is chiefly valuable, however, from the sentiment that pervades it. The Anecdote of the saying of the Monk in sight of Titian's picture was told in this house by Mr. Wilkie, and was, I believe, first communicated to the public in this poem, the former portion of which I was composing at the time. Southey heard the story from Miss Hutchinson, and transferred it to the “Doctor;" but it is not easy to explain how my friend Mr. Rogers, in a note subsequently added to his “Italy,” was led to speak of the Padua.] gaze upon a Portrait whose mild gleam A silver line, that runs from brow to crown And in the middle parts the braided hair, a Just serves to show how delicate a soil Offspring of soul-bewitching Art, make me Her right hand, as it lies |