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And lo! in the meadow sweet was the grave of a little child,

With a crumbling stone at the feet, and the ivy running wild:

Tangled ivy and clover folding it over and over: Close to my sweetheart's feet was the little mound up-piled.

Stricken with nameless fears, she shrank and clung to me,

And her eyes were filled with tears for a sorrow I did not see:

Lightly the winds were blowing, softly her tears were flowing

Tears for the unknown years and a sorrow that was to be!

SWEETHEART, SIGH NO MORE

IT was with doubt and trembling
I whispered in her ear.
Go, take her answer, bird-on-bough,
That all the world may hear-
Sweetheart, sigh no more!

Sing it, sing it, tawny throat,
Upon the wayside tree,
How fair she is, how true she is,

How dear she is to me

Sweetheart, sigh no more!

Sing it, sing it, and through the summer long The winds among the clover-tops,

And brooks, for all their silvery stops,

Shall envy you the song-
Sweetheart, sigh no more!

WILLIAM ALLINGHAM

WILLIAM ALLINGHAM, born in Ireland in 1828§ died 1889. He removed to England and became editor of "Fraser's Magazine." He was the author of numerous poems. "Lawrence Bloomfield in Ire

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land and Day and Night Songs are the best

known.

THE RUINED

BY

CHAPEL

(From "Day and Night Songs")

Y the shore, a plot of ground
Clips a ruined chapel round,

Buttressed with a grassy mound;

Where Day and Night and Day go by
And bring no touch of human sound.

Washing of the lonely seas,
Shaking of the guardian trees,
Piping of the salted breeze;

Day and Night and Day go by

To the endless tune of these.

Or, when, as winds and waters keep
A hush more dead than any sleep,
Still morns to stiller evenings creep,
And Day and Night and Day go by;

Here the silence is most deep.

The empty ruins, lapsed again
Into Nature's wide domain,

Sow themselves with seed and grain

As Day and Night and Day go by;
And hoard June's sun and April's rain.
Here fresh funeral tears were shed;
Now the graves are also dead;

And suckers from the ash-tree spread, While Day and Night and Day go by: And stars move calmly overhead.

SONG

(From "Day and Night Songs ")
SPIRIT of the Summer-time!
Bring back the roses to the dells;
The swallow from her distant clime,
The honey-bee from drowsy cells.

Bring back the friendship of the sun;
The gilded evenings calm and late,
When weary children homeward run,

And peeping stars bid lovers wait.
Bring back the singing; and the scent
Of meadow-lands at dewy prime;
Oh, bring again my heart's content,
Thou spirit of the Summer-time!

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ROBIN REDBREAST

100D-BYE, good-bye to Summer! J For Summer's nearly done;

The garden smiling faintly,
Cool breezes in the sun;
Our thrushes now are silent,
Our swallows flown away-
But Robin's here in coat of brown,
And scarlet breast-knot gay.
Robin, Robin Redbreast,

O Robin dear!

Robin sings so sweetly
In the falling of the year.

Bright yellow, red, and orange,
The leaves come down in hosts;
The trees are Indian princes,
But soon they'll turn to ghosts;
The leathery pears and apples
Hang russet on the bough;
It's autumn, autumn, autumn late,
"Twill soon be winter now.
Robin, Robin Redbreast,

O Robin dear!

And what will this poor Robin do? For pinching days are near.

The fireside for the cricket,

The wheat-stack for the mouse, When trembling night-winds whistle And moan all round the house. The frosty ways like iron,

The branches plumed with snow-Alas! in winter dead and dark, Where can poor Robin go? Robin, Robin Redbreast,

O Robin dear!

And a crumb of bread for Robin, His little heart to cheer.

HANS, CHRISTIAN ANDERSEN

Pri

HANS CHRISTIAN ANDERSEN, poet, dramatist and story-writer, born at Odense, Denmark, in 1805; died at Copenhagen in 1875. From his early youth he was a maker of tales, and on the banks of the silver Odense River he walked and dreamed of the days of old, and the famous days to come. marily a writer of tales for children, his work possesses such deep insight into human nature, such tenderness, that the person who has not read them has a gap on the shelves of his mental library. Before he laid down his pen at the close of his life's work, it took fifty volumes to contain his writings.

THE GARDENER OF THE MANOR

ABOUT one Danish mile from the capital stood

an old manor-house, with thick walls, towers, and pointed gable-ends. Here lived, but only in the summer season, a rich and courtly family. This manor-house was the best and the most beautiful of all the houses they owned. It looked outside as if it had just been cast in a foundry, and within it was comfort itself. The family arms were carved in stone over the door; beautiful roses twined about the arms and the balcony; a grass-plot extended before the house with red-thorn and white-thorn, and many rare flowers grew even outside the conservatory. The manor kept also a very skilful gardener. It was a real pleasure to see the flowergarden, the orchard, and the kitchen-garden. There was still to be seen a portion of the manor's original

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