But he whose blossom buds in guilt

Shall to the ground be cast, And, like the rootless stubble, tost Before the sweeping blast.

For why that GOD the good adore Hath giv'n them peace and rest, But hath decreed that wicked men Shall ne'er be truly blest.

XLV.

THE FIRST SIX VERSES OF

THE NINETIETH PSALM.

[The ninetieth Psalm is said to have been a favourite in the household of William Burns: the version used by the Kirk, though unequal, contains beautiful verses, and possesses the same strain of sentiment and moral reasoning as the poem of "Man was made to Mourn." These verses first appeared in the Edinburgh edition; and they might have been spared; for in the hands of a poet ignorant of the original language of the Psalmist, how could they be so correct in sense and expression as in a sacred strain is not only desirable but necessary?]

O THOU, the first, the greatest friend
Of all the human race!

Whose strong right hand has ever been
Their stay and dwelling place!

Before the mountains heav'd their heads
Beneath Thy forming hand,
Before this ponderous globe itself
Arose at Thy command;

That Pow'r which rais'd and still upholds

This universal frame,

From countless, unbeginning time

Was ever still the same.

Those mighty periods of years

Which seem to us so vast,. Appear no more before Thy sight

Than yesterday that's past.

Thou giv'st the word: Thy creature, man,
Is to existence brought;
Again Thou say'st, "Ye sons of men,
Return ye into nought!"

Thou layest them, with all their cares,
In everlasting sleep;

As with a flood Thou tak'st them off
With overwhelming sweep.

VOL. II.

They flourish like the morning flow'r,

In beauty's pride array'd;

But long ere night, cut down, it lies

All wither'd and decay'd.

XLVI.

TO A MOUNTAIN DAISY,

ON TURNING ONE DOWN WITH THE PLOUGH IN APRIL, 1786.

[This was not the original title of this sweet poem: I have a copy in the hand-writing of Burns entitled "The Gowan." This more natural name he changed, as he did his own, without reasonable cause; and he changed it about the same time, for he ceased to call himself Burness and his poem "The Gowan," in the first edition of his works. The field at Mossgiel where he turned down the Daisy is said to be the same field where some five months before he turned up the Mouse; but this seems likely only to those who are little acquainted with tillage-who think that in time and place reside the chief charms of verse; and who feel not the beauty of "The Daisy," till they seek and find the spot on which it grew. Sublime morality and the deepest emotions of the soul pass for little with those who remember only what genius loves to forget.]

WEE, modest, crimson-tipped flow'r,
Thou's met me in an evil hour;
For I maun crush amang the stoure
Thy slender stem:

To spare thee now is past my pow'r,
Thou bonnie gem.

Alas! it's no thy neebor sweet,
The bonnie lark, companion meet!
Bending thee 'mang the dewy weet!

Wi' spreckl'd breast,

When upward-springing, blythe, to greet, The purpling east.

Cauld blew the bitter-biting north
Upon thy early, humble birth;
Yet cheerfully thou glinted forth
Amid the storm,

Scarce rear'd above the parent earth
Thy tender form.

The flaunting flowers our gardens yield,
High shelt'ring woods and wa's maun shield;
But thou, beneath the random bield
O' clod or stane,

Adorns the histie stibble-field,

Unseen, alane.

I

There, in thy scanty mantle clad, Thy snawie bosom sunward spread, Thou lifts thy unassuming head

In humble guise;

But now the share uptears thy bed, And low thou lies!

Such is the fate of artless maid,

Sweet flow'ret of the rural shade! By love's simplicity betray'd,

And guileless trust,

Till she, like thee, all soil'd, is laid
Low i' the dust.

Such is the fate of simple bard,

On life's rough ocean luckless starr'd! Unskilful he to note the card

Of prudent lore,

Till billows rage, and gales blow hard, And whelin him o'er!

Such fate to suffering worth is giv'n,

Who long with wants and woes has striv'n, By human pride or cunning driv'n

To mis'ry's brink,

Till wrench'd of ev'ry stay but Heav'n, He, ruin'd, sink!

Ev'n thou who mourn'st the Daisy's fate, That fate is thine-no distant date; Stern Ruin's ploughshare drives, elate, Full on thy bloom, Till crush'd beneath the furrow's weight, Shall be thy doom!

XLVII.

EPISTLE TO A YOUNG FRIEND. MAY, 1786.

[Andrew Aiken, to whom this poem of good counsel is addressed, was one of the sons of Robert Aiken, writer in Ayr, to whom the Cotter's Saturday Night is inscribed. He became a merchant in Liverpool, with what success we are not informed, and died at St. Petersburg. The poet has been charged with a desire to teach hypocrisy rather than truth to his "Andrew dear;" but surely to conceal one's own thoughts and discover those of others, can scarcely be called hypocritical: it is, in fact, a version of the celebrated precept of prudence, "Thoughts close and looks loose." Whether he profited by all the counsel showered upon him by the muse we know not: he was much respected-his name embalmed, like that of his father, in the poetry of his friend, is not likely soon to perish.]

I.

I LANG hae thought, my youthfu' friend,
A something to have sent you,
Though it should serve nae ither end
Than just a kind memento;
But how the subject-theme may gang,

Let time and chance determine;
Perhaps it may turn out a sang,
Perhaps turn out a sermon.

II.

Ye'll try the world soon, my lad,
And, Andrew dear, believe me,
Ye'll find mankind an unco squad,

And muckle they may grieve ye:
For care and trouble set your thought,
Ev'n when your end's attained;
And a' your views may come to nought,
Where ev'ry nerve is strained.

III.

I'll no say men are villains a';

The real, harden'd wicked, Wha hae nae check but human law Are to a few restricked;

But, och! mankind are unco weak,

An' little to be trusted;

If self the wavering balance shake, It's rarely right adjusted!

IV.

Yet they wha fa' in Fortune's strife,
Their fate we should na censure,
For still th' important end of life
They equally may answer:
A man may hae an honest heart,
Tho' poortith hourly stare him;
A man may tak a neebor's part,
Yet hae nae cash to spare him.

V.

Aye free, aff han' your story tell,
When wi' a bosom crony;
But still keep something to yoursel
Ye scarcely tell to ony.
Conceal yoursel as weel's ye can

Frae critical dissection;
But keek thro' ev'ry other man,
Wi' sharpen'd, sly inspection.

VI.

The sacred lowe o' weel-plac'd love, Luxuriantly indulge it;

But never tempt th' illicit rove,

Tho' naething should divulge it: