A Grammar of Elocution: Containing the Principles of the Arts of Reading and Speaking; Illustrated by Appropriate Exercises and Examples ...A. H. Maltby, 1830 - 344 էջ |
From inside the book
Արդյունքներ 15–ի 1-ից 5-ը:
Էջ 21
... line , -and is always distinguished by an italic letter or letters . 1 [ e as heard in the word le - rr 2a 30 4 a 5e 6 a long 7 a short 80 long 90 short 10 ou 11 ee 12i 1300 14 u 15 oi 16i 17 ew a - ll o - bject a - ge Je - dge a - rm ...
... line , -and is always distinguished by an italic letter or letters . 1 [ e as heard in the word le - rr 2a 30 4 a 5e 6 a long 7 a short 80 long 90 short 10 ou 11 ee 12i 1300 14 u 15 oi 16i 17 ew a - ll o - bject a - ge Je - dge a - rm ...
Էջ 35
... line from the rest of the word , as Th – ou , & c . Though the consonant elements cannot be uttered with as much explosive force as the vowels , they are yet ca- pable of a considerable degree of it , and some of more than others . A ...
... line from the rest of the word , as Th – ou , & c . Though the consonant elements cannot be uttered with as much explosive force as the vowels , they are yet ca- pable of a considerable degree of it , and some of more than others . A ...
Էջ 60
... line drawn above represents the strings of the violin , the black dots the points , places , or degrees at which it is to be pressed to produce certain sounds . From 1 to 7 constitutes the series of sounds called the scale , each rising ...
... line drawn above represents the strings of the violin , the black dots the points , places , or degrees at which it is to be pressed to produce certain sounds . From 1 to 7 constitutes the series of sounds called the scale , each rising ...
Էջ 67
... line 1 space 2 , line 3 space 4 , and so on , whether we are counting upwards or down- wards . The first figure of the scale commencing on line 1 , and reaching into space 2 , represents a rising slide of a second , the second figure a ...
... line 1 space 2 , line 3 space 4 , and so on , whether we are counting upwards or down- wards . The first figure of the scale commencing on line 1 , and reaching into space 2 , represents a rising slide of a second , the second figure a ...
Էջ 98
... line , the voice should rise somewhat higher in pitch , with some increase of rate ; while upon the fourth , it should be still louder , higher , and more rapid . Upon the last four lines especially , the delivery should be loud , high ...
... line , the voice should rise somewhat higher in pitch , with some increase of rate ; while upon the fourth , it should be still louder , higher , and more rapid . Upon the last four lines especially , the delivery should be loud , high ...
Այլ խմբագրություններ - View all
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Ամբողջությամբ դիտվող - 1830 |
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Ամբողջությամբ դիտվող - 1830 |
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Ամբողջությամբ դիտվող - 1830 |
Common terms and phrases
accented agreeable articulation aspiration Brutus cadence Cæsar called ceive cern concrete consonants degree delivery described discourse discrete downward slide earth effect elementary sounds Elocution Elocutionist emphasis emphatic employed equal wave example exercise expression eyes falling ditone falling slide fifth force forcible give Harfleur hast hath heard heart heaven high note Human Voice intervals light long quantity Lord loud marked marked radical measure median stress ments monotony natural nerally o'er octave pauses percussion persons plaintive practice pronounced pronunciation prosody public speaking quire racter radical pitch radical stress reading rise and fall rising slide semitone sentence short simple melody soul speak speaker speech student sylla syllables TABLE OF CONSONANT TABLE OF VOWEL thee thine thing third thou art thought tion tone tremor unto utterance vanish vocal voice vowel elements vowel sounds words Δ Δ Δ ΙΔ
Սիրված հատվածներ
Էջ 111 - I heard the bell tolled on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ? It was.
Էջ 182 - She saith unto him, Yea, Lord : I believe that thou art the Christ the Son of God, which should come into the world.
Էջ 133 - Here hills and vales, the woodland and the plain, Here earth and water, seem to strive again ; Not chaos-like together crushed and bruised, But as the world harmoniously confused: Where order in variety we see, And where, though all things differ, all agree.
Էջ 147 - Love framed with Mirth a gay fantastic round : Loose were her tresses seen, her zone unbound ; And he, amidst his frolic play, As if he would the charming air repay, Shook thousand odours from his dewy wings.
Էջ 111 - Hovered thy spirit o'er thy sorrowing son, Wretch even then, life's journey just begun ? Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss ; Ah, that maternal smile, it answers yes...
Էջ 147 - But soon he saw the brisk awakening viol, Whose sweet, entrancing voice he loved the best. They would have thought who heard the strain, They saw in Tempe's...
Էջ 150 - Reserved him to more wrath ; for now the thought Both of lost happiness and lasting pain Torments him : round he throws his baleful eyes, That...
Էջ 85 - Homer was the greater genius; Virgil the better artist: in the one, we most admire the man; in the other, the work. Homer hurries us with a commanding impetuosity ; Virgil leads us with an attractive majesty. Homer scatters with a generous profusion ; Virgil bestows with a careful magnificence. Homer, like the Nile, pours out his riches with a sudden overflow ; Virgil, like a river in its banks, with a constant stream.
Էջ 47 - It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision.