A Grammar of Elocution: Containing the Principles of the Arts of Reading and Speaking; Illustrated by Appropriate Exercises and Examples ...A. H. Maltby, 1830 - 344 էջ |
From inside the book
Արդյունքներ 45–ի 1-ից 5-ը:
Էջ 11
... Light , 242 Cowper on his Mother's Picture , . 245 On Sincerity - TILLOTSON , 254 Hyder Ali , 256 Fourth chapter of St. John , 259 Satan calling the fallen angels , 263 Marco Bozzaris , Address to the Rainbow , Othello's address to the ...
... Light , 242 Cowper on his Mother's Picture , . 245 On Sincerity - TILLOTSON , 254 Hyder Ali , 256 Fourth chapter of St. John , 259 Satan calling the fallen angels , 263 Marco Bozzaris , Address to the Rainbow , Othello's address to the ...
Էջ 71
... Light . " EXAMPLES . If the word " hail " is uttered with long quantity with a perceptible downward ending , and without any emphasis except that which arises from its prolongation , it will show the direct equal wave of the second . 66 ...
... Light . " EXAMPLES . If the word " hail " is uttered with long quantity with a perceptible downward ending , and without any emphasis except that which arises from its prolongation , it will show the direct equal wave of the second . 66 ...
Էջ 92
... lights and shadows of discourse , and should follow not as the result of faulty and indefensible habits , but from the order of its ideas and sentiments . There are two phrases of melody , which if predomi- nant in discourse , give it a ...
... lights and shadows of discourse , and should follow not as the result of faulty and indefensible habits , but from the order of its ideas and sentiments . There are two phrases of melody , which if predomi- nant in discourse , give it a ...
Էջ 104
... light . " Or of the eternal co - eternal beam , may I express thee un - blamed . " * Care must be taken not to mouth the syllables marked in italics . Mouthing is a deviation from standard pronunciation , and is most apt to occur upon ...
... light . " Or of the eternal co - eternal beam , may I express thee un - blamed . " * Care must be taken not to mouth the syllables marked in italics . Mouthing is a deviation from standard pronunciation , and is most apt to occur upon ...
Էջ 125
... as applied to speech , consists of a heavy or an accented portion of syllabic sound , and of a light or unaccented portion , produced by one effort of the organ of voice . In the production of 11 * Measure of Speech,
... as applied to speech , consists of a heavy or an accented portion of syllabic sound , and of a light or unaccented portion , produced by one effort of the organ of voice . In the production of 11 * Measure of Speech,
Այլ խմբագրություններ - View all
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Ամբողջությամբ դիտվող - 1830 |
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Ամբողջությամբ դիտվող - 1830 |
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Ամբողջությամբ դիտվող - 1830 |
Common terms and phrases
accented agreeable articulation aspiration Brutus cadence Cæsar called ceive cern concrete consonants degree delivery described discourse discrete downward slide earth effect elementary sounds Elocution Elocutionist emphasis emphatic employed equal wave example exercise expression eyes falling ditone falling slide fifth force forcible give Harfleur hast hath heard heart heaven high note Human Voice intervals light long quantity Lord loud marked marked radical measure median stress ments monotony natural nerally o'er octave pauses percussion persons plaintive practice pronounced pronunciation prosody public speaking quire racter radical pitch radical stress reading rise and fall rising slide semitone sentence short simple melody soul speak speaker speech student sylla syllables TABLE OF CONSONANT TABLE OF VOWEL thee thine thing third thou art thought tion tone tremor unto utterance vanish vocal voice vowel elements vowel sounds words Δ Δ Δ ΙΔ
Սիրված հատվածներ
Էջ 111 - I heard the bell tolled on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ? It was.
Էջ 182 - She saith unto him, Yea, Lord : I believe that thou art the Christ the Son of God, which should come into the world.
Էջ 133 - Here hills and vales, the woodland and the plain, Here earth and water, seem to strive again ; Not chaos-like together crushed and bruised, But as the world harmoniously confused: Where order in variety we see, And where, though all things differ, all agree.
Էջ 147 - Love framed with Mirth a gay fantastic round : Loose were her tresses seen, her zone unbound ; And he, amidst his frolic play, As if he would the charming air repay, Shook thousand odours from his dewy wings.
Էջ 111 - Hovered thy spirit o'er thy sorrowing son, Wretch even then, life's journey just begun ? Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss ; Ah, that maternal smile, it answers yes...
Էջ 147 - But soon he saw the brisk awakening viol, Whose sweet, entrancing voice he loved the best. They would have thought who heard the strain, They saw in Tempe's...
Էջ 150 - Reserved him to more wrath ; for now the thought Both of lost happiness and lasting pain Torments him : round he throws his baleful eyes, That...
Էջ 85 - Homer was the greater genius; Virgil the better artist: in the one, we most admire the man; in the other, the work. Homer hurries us with a commanding impetuosity ; Virgil leads us with an attractive majesty. Homer scatters with a generous profusion ; Virgil bestows with a careful magnificence. Homer, like the Nile, pours out his riches with a sudden overflow ; Virgil, like a river in its banks, with a constant stream.
Էջ 47 - It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision.