A Grammar of Elocution: Containing the Principles of the Arts of Reading and Speaking; Illustrated by Appropriate Exercises and Examples ...A. H. Maltby, 1830 - 344 էջ |
From inside the book
Արդյունքներ 14–ի 1-ից 5-ը:
Էջ 32
... opening and final vanish are essential to the preservation of pure speech . The prolongation of the alphabetic ele- ments is an exhibition of quantity in its most elementary state , as their explosion is of percussive stress in its sim ...
... opening and final vanish are essential to the preservation of pure speech . The prolongation of the alphabetic ele- ments is an exhibition of quantity in its most elementary state , as their explosion is of percussive stress in its sim ...
Էջ 63
... opening - the equable lessening of volume , the gradual change of sound from the opening part of the element into the obscure sound of ee - the ex- tended quantity - the final termination of the progressively diminishing sound in a fine ...
... opening - the equable lessening of volume , the gradual change of sound from the opening part of the element into the obscure sound of ee - the ex- tended quantity - the final termination of the progressively diminishing sound in a fine ...
Էջ 64
... opening fullness , are circum- stances which show the superiority of the human voice over all instruments . The full manifestation of the radi- cal and vanish in the management of the slides of long quantity , or in other words , in the ...
... opening fullness , are circum- stances which show the superiority of the human voice over all instruments . The full manifestation of the radi- cal and vanish in the management of the slides of long quantity , or in other words , in the ...
Էջ 65
... opening fullness . B , progressing quantity with diminishing vol- ume . C , vanishing point . The following consonants will display the property of the voice we have described , though not so perfectly as the vowels . 1 b 6 m 2 d 7 n 3 ...
... opening fullness . B , progressing quantity with diminishing vol- ume . C , vanishing point . The following consonants will display the property of the voice we have described , though not so perfectly as the vowels . 1 b 6 m 2 d 7 n 3 ...
Էջ 76
... opening and termin- ation of syllables it was , which induced Dr. Rush to call the one the radical and the other the vanishing part of the syllable , and in our future remarks when we refer to the pitch at which syllables BEGIN as ...
... opening and termin- ation of syllables it was , which induced Dr. Rush to call the one the radical and the other the vanishing part of the syllable , and in our future remarks when we refer to the pitch at which syllables BEGIN as ...
Այլ խմբագրություններ - View all
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Ամբողջությամբ դիտվող - 1830 |
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Ամբողջությամբ դիտվող - 1830 |
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Ամբողջությամբ դիտվող - 1830 |
Common terms and phrases
accented agreeable articulation aspiration Brutus cadence Cæsar called ceive cern concrete consonants degree delivery described discourse discrete downward slide earth effect elementary sounds Elocution Elocutionist emphasis emphatic employed equal wave example exercise expression eyes falling ditone falling slide fifth force forcible give Harfleur hast hath heard heart heaven high note Human Voice intervals light long quantity Lord loud marked marked radical measure median stress ments monotony natural nerally o'er octave pauses percussion persons plaintive practice pronounced pronunciation prosody public speaking quire racter radical pitch radical stress reading rise and fall rising slide semitone sentence short simple melody soul speak speaker speech student sylla syllables TABLE OF CONSONANT TABLE OF VOWEL thee thine thing third thou art thought tion tone tremor unto utterance vanish vocal voice vowel elements vowel sounds words Δ Δ Δ ΙΔ
Սիրված հատվածներ
Էջ 111 - I heard the bell tolled on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ? It was.
Էջ 182 - She saith unto him, Yea, Lord : I believe that thou art the Christ the Son of God, which should come into the world.
Էջ 133 - Here hills and vales, the woodland and the plain, Here earth and water, seem to strive again ; Not chaos-like together crushed and bruised, But as the world harmoniously confused: Where order in variety we see, And where, though all things differ, all agree.
Էջ 147 - Love framed with Mirth a gay fantastic round : Loose were her tresses seen, her zone unbound ; And he, amidst his frolic play, As if he would the charming air repay, Shook thousand odours from his dewy wings.
Էջ 111 - Hovered thy spirit o'er thy sorrowing son, Wretch even then, life's journey just begun ? Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss ; Ah, that maternal smile, it answers yes...
Էջ 147 - But soon he saw the brisk awakening viol, Whose sweet, entrancing voice he loved the best. They would have thought who heard the strain, They saw in Tempe's...
Էջ 150 - Reserved him to more wrath ; for now the thought Both of lost happiness and lasting pain Torments him : round he throws his baleful eyes, That...
Էջ 85 - Homer was the greater genius; Virgil the better artist: in the one, we most admire the man; in the other, the work. Homer hurries us with a commanding impetuosity ; Virgil leads us with an attractive majesty. Homer scatters with a generous profusion ; Virgil bestows with a careful magnificence. Homer, like the Nile, pours out his riches with a sudden overflow ; Virgil, like a river in its banks, with a constant stream.
Էջ 47 - It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision.