out difficulty. He therefore found time to gain a considerable knowledge of the English, French, and Italian languages. He was attracted to these, not only by the desire of travelling at some future period, but that he might be enabled to read some of the most celebrated authors in their own tongues.

He was enamoured with the plays of Shakspeare, and attempted a translation of Macbeth into German. The novels of Richardson, particularly his Clarissa, made a powerful and lasting impression upon his mind.* The works of Rousseau were eagerly devoured by him. And the poetic flights of Dante not only aroused his feelings, but afforded subjects for his daring pencil, which, notwithstanding his numerous studies, was not laid aside.

Mixing in society naturally gives to an observing mind a knowledge of men and man

* Fuseli ever considered Richardson a man of great genius, and one who had a key to the human heart, and was very indignant, in the latter period of his life, with a gentleman who spoke contemptuously of Clarissa Harlowe. This person said in his presence, "No one now reads the works of Richardson." "Do they not?" said Fuseli," then by G-d they ought. If people are now tired of old novels, I should be glad to know your criterion of books. If Richardson is old, Homer is obsolete. Clarissa, to me, is pathetic-is exquisite; I never read it without crying like a child.”

ners.

After Henry Fuseli had attended for some time the college studies, and acquired some degree of confidence in his own powers, he discovered and exposed weak points in some of the professors and tutors who had been held up as examples to the students, and also brought forward the merit and latent qualities of others, who from their modesty had remained without notice, and thus drew them from obscurity. If he could not attain his object by satire, in which he was very powerful, he sometimes resorted to caricature, a weapon not less formidable in his hands. The wounded pride of some of the masters induced them to draw up a formal complaint against him, and he was threatened with expulsion by the president, which was only a menace to intimidate him, as the heads of the college admired his talents, and were pleased with his assiduity.

In reading the Holy Scriptures (which he did diligently), the classics, or the modern historians or poets, Fuseli's mind was most powerfully attracted by those incidents or expressions which are out of the ordinary course, and he frequently embodied them with his pencil. Bodmer perceiving this bent of his mind, recommended him to try his powers in poetry, and

gave him, as models for imitation, the works of Klopstock and Weiland. The former were considered by Henry to be master-pieces; he caught the inspiration, and published, in a weekly journal called the "Freymüthigen Nachrichten,"* an ode to Meta. This was so much in the spirit, and so near an imitation of Klopstock's style, that the ardent admirers of this great poet attributed it to him, and which was believed by all who were not in the secret. He also attempted a tragedy from the Bible, "The Death of Saul," which was also highly commended.

It is but reasonable to suppose, that Bodmer would endeavour to instil into the mind of a favourite pupil a love for the abstract sciences, in the knowledge of which he was himself so eminently skilled: but for these Fuseli showed an utter distaste, which continued during the whole of his life. He has more than once exclaimed to me, "Were the angel Gabriel sent expressly to teach me the mathematics, he would fail in his mission." And he has frequently dilated upon the annoyance which he felt, when discovered by any one of the tutors to be engaged in some favourite pursuit, by his putting, in Latin, an abrupt and unexpected question

*The Frank Intelligencer."

in physics, such as, "Quid est calor, Henrice Füessli?"

In the year 1761, Fuseli and his intimate friend Lavater entered into holy orders. The state of pulpit oratory, at this time, in Zurich, is thus described by a kinsman* of the former : "The Dutch method of analyzing was at this time in vogue in our pulpits. By aiming at popularity, the language was often reduced to the lowest strain, and to mere puerilities. The subjects were chiefly dogmatical; and if a moral theme was introduced, their sermons betrayed no knowledge of mankind: they were mostly common-place declamation, deficient in precision and just discrimination. Exaggeration prevented the backslider from applying the description to himself; and as the way to reformation was neither intelligibly nor mildly pointed out, he was rather irritated than corrected.

* The late Mr. Henry Füessli, of Zurich, from whom the writer has received much information. Just as this Memoir was completed, this gentleman closed his mortal career. He died on the 1st of May, 1829, in his seventy-fifth year. Mr. Fäessli was a landscape painter, and held the honourable situation of President of the Society of Artists at Zurich. He had been labouring for some years under occasional attacks of asthma, and died therefrom much regretted.

"Even the most distinguished preachers lost themselves in long and tiresome discourses, wandering either through the barren fields of scholastic or academic exercises, of little interest to a common audience; or else they spun out labyrinthine allegories.

"Others tried to excite the feelings by doctrines that bordered on mysticism or Moravianism; and there were those who made simplicity their aim, not the noble but the coarser species, descending to vulgarity and meanness to flatter the popular taste, and endeavouring to disguise vacuity and sameness by low comparisons, little tales, and awkward imagery.

66

"Some were to be found who, in their zeal for doctrinal faith, abused morality and philosophy, and bestowed the nickname of Tastetellers" on those who took a different course, and aimed at a better mode of address."

Klopstock, Bodmer, Weiland, Zimmerman, S. Gessner, and some others, feeling how defective pulpit oratory was at Zurich, had laboured to bring about a better style of preaching, but without much effect. Fuseli, upon entering into holy orders, determined to regulate his efforts, and by the advice of these learned men, he chose Saurin's sermons as models of manner and arrangement; but with the view of convey