Joseph Conrad: A Personal RemembranceLittle, Brown,, 1924 - 276 էջ |
From inside the book
Արդյունքներ 21–ի 1-ից 5-ը:
Էջ 12
... light - heartedly that Marie Antoi- nette had been guilty of treason to France . The whole of the discussion the writer did not hear because he was discoursing to a very deaf gentle- man on the genealogical tree of the Dering family ...
... light - heartedly that Marie Antoi- nette had been guilty of treason to France . The whole of the discussion the writer did not hear because he was discoursing to a very deaf gentle- man on the genealogical tree of the Dering family ...
Էջ 13
... light was like the glow of a volcano . This is not over - writing ; his personality deserved these tributes . It was chivalry too . After his discussion with the lady over the divine right of kings he was pale , exhausted , panting ...
... light was like the glow of a volcano . This is not over - writing ; his personality deserved these tributes . It was chivalry too . After his discussion with the lady over the divine right of kings he was pale , exhausted , panting ...
Էջ 15
... light a cigarette , with a relaxing of the limbs or a change in the position in the chair . These must gradually have ceased . The parlour at the Pent was a deep room with a beam across the middle of the low ceiling ; small , pink ...
... light a cigarette , with a relaxing of the limbs or a change in the position in the chair . These must gradually have ceased . The parlour at the Pent was a deep room with a beam across the middle of the low ceiling ; small , pink ...
Էջ 16
... light ; Conrad sat forward on a rush - bottomed armchair , listening intently . ( For how many years did the writer and Conrad not sit there like that ! ) We began that reading after lunch of a shortish day ; the lamps were brought in ...
... light ; Conrad sat forward on a rush - bottomed armchair , listening intently . ( For how many years did the writer and Conrad not sit there like that ! ) We began that reading after lunch of a shortish day ; the lamps were brought in ...
Էջ 26
... , not corn- • • Cornfields . ... fields , because that , to Americans , signifies maize . Fields of wheat that the • · Wheat fields . • weak . . . feeble . · light ... what sort of winds , breezes , airs . . . . " 26 JOSEPH CONRAD.
... , not corn- • • Cornfields . ... fields , because that , to Americans , signifies maize . Fields of wheat that the • · Wheat fields . • weak . . . feeble . · light ... what sort of winds , breezes , airs . . . . " 26 JOSEPH CONRAD.
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admirable adventure Almayer's Folly anglais azure biography British Bruges cadence called career character Christina Rossetti collaboration coming Congo Free Conrad never course debt draft Edward Garnett England English exclaimed face feel fellow Flaubert français French frigates Garnett genius gentleman heard Heart of Darkness human idea imagined immense Inheritors jamais John Kemp Joseph Conrad knew lady language letters Limpsfield literary lived looked Lowestoft manuscript Marryatt Marseilles master mariner matter Maupassant morning Napoleon narrator night Nostromo novel once opening Paradowski paragraphs passage passion Pent phrase Poland political prose reader remember Romance round sand scene sentence ship shipshape Slack sort speech style talked thing thought tion Tremolino uncle verse vieux voice W. E. Henley W. H. Hudson whilst whole window words writer writer never writer's mind written wrote
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Էջ 172 - And she crawled on, do or die, in the serene weather. The sky was a miracle of purity, a miracle of azure. The sea was polished, was blue, was pellucid, was sparkling like a precious stone, extending on all sides, all round to the horizon — as if the whole terrestrial globe had been one jewel, one colossal sapphire, a single gem fashioned into a planet.
Էջ 177 - ... the immense lethargy which threatens at every moment to descend. All this, I think, must be the result of that internal conflict. For while Marlow would like to track every motive, explore every shadow, his companion the sea captain is for ever at his elbow saying '. . . the world, the temporal world, rests on a very few simple ideas ; so simple that they must be as old as the hills.
Էջ 192 - Cox's green aluminium paint. ... If you think about the matter you will remember, in various unordered pictures, how one day Mr. Slack appeared in his garden and contemplated the wall of his house. You will then try to remember the year of that occurrence...
Էջ 219 - The problem of the author is to make his then action the only action that character could have taken. It must be inevitable, because of his character, because of his ancestry, because of past illness or on account of the gradual coming together of the thousand small circumstances by which Destiny, who is inscrutable and august, will push us into one certain predicament.
Էջ 228 - Conrad's dislike for the English language, then, was, during all the years of our association, extreme, his contempt for his medium unrivalled. Again and again during the writing of, say, "Nostromo" he expressed passionate regret that it was then too late to hope to make a living by writing in French, and as late as 1916 he expressed to the writer an almost equally passionate envy of the writer who was in a position to write in French, propaganda for the government of the French Republic. . . . And...
Էջ 230 - For it would be delightful to catch the echo of the desperate and funny quarrels that enlivened these old days. The pity of it is that there comes a time when all the fun of one's life must be looked for in the past.
Էջ 193 - If you think about the matter you will remember, in various unordered pictures, how one day Mr. Slack appeared in his garden and contemplated the wall of his house. You will then try to remember the year of that occurrence and you will fix it as August, 1914...
Էջ 206 - A style interests when it carries the reader along; it is then a good style. A style ceases to interest when by reason of disjointed sentences, over-used words, monotonous or jog-trot cadences, it fatigues the reader's mind. Too startling words, however apt, too just images, too great displays of cleverness...
Էջ 201 - One unalterable rule that we had for the rendering of conversations — for genuine conversations that are an exchange of thought, not interrogatories or statements of fact — was that no speech of one character should ever answer the speech that goes before it. This is almost invariably the case in real life where few people listen, because they are always preparing their own next speeches.
Էջ 3 - ... rather than large in height; very broad in the shoulder and long in the arm; dark in complexion with black hair and a clipped black beard. He had the gestures of a Frenchman who shrugs his shoulders frequently. When you had really secured his attention he would insert a monocle into his right eye and scrutinise your face from very near as a watchmaker looks into the works of a watch.