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He says, writing shortly afterwards, that "when I shall be free again, I will enjoy all things with the fresh simplicity of a child of five years old. I shall grow young again, made all over anew. I will go forth and stand in a summer shower, and all the worldly dust that has collected on me shall be washed away at once, and my heart will be like a bank of fresh flowers for the weary to rest upon."

This forecast of his destiny was sufficiently exact. A year later, in April, 1841, he went to take up his abode in the socialistic community of Brook Farm. Here he found himself among fields and flowers and other natural products, as well as among many products that could not very justly be called natural. He was exposed to summer showers in plenty; and his personal associations were as different as possible from those he had encountered in fiscal circles. He made acquaintance with Transcendentalism and the Transcendentalists.

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CHAPTER IV.

BROOK FARM AND CONCORD.

THE history of the little industrial and intellectual association which formed itself at this time in one of the suburbs of Boston has not, to my knowledge, been written; though it is assuredly a curious and interesting chapter in the domestic annals of New England. It would, of course, be easy to overrate the importance of this ingenious attempt of a few speculative persons to improve the outlook of mankind. The experiment came and went very rapidly and quietly, leaving very few traces behind. it. It became simply a charming personal reminiscence for the small number of amiable enthusiasts who had had a hand in it. There were degrees of enthusiasm, and I suppose there were degrees of amiability; but a certain generous brightness of hope and freshness of conviction pervaded the whole undertaking, and rendered it, morally speaking, important to an extent of which any heed that the world in general ever gave to it is an insufficient measure. Of course it would be a great mistake to represent the episode of Brook Farm as directly related to the manners and morals of the New England world in generaland in especial to those of the prosperous, opulent, comfortable part of it. The thing was the experiment of a coterie-it was unusual, unfashionable, unsuccessful. It

was, as would then have been said, an amusement of the Transcendentalists a harmless effusion of Radicalism. The Transcendentalists were not, after all, very numerous, and the Radicals were by no means of the vivid tinge of those of our own day. I have said that the Brook Farm community left no traces behind it that the world in general can appreciate; I should rather say that the only trace is a short novel, of which the principal merits reside in its qualities of difference from the affair itself. The Blithedale Romance is the main result of Brook Farm; but The Blithedale Romance was, very properly, never recognised by the Brook Farmers as an accurate portrait of their little colony.

Nevertheless, in a society as to which the more frequent complaint is that it is monotonous, that it lacks variety of incident and of type, the episode, our own business with which is simply that it was the cause of Hawthorne's writing an admirable tale, might be welcomed as a picturesque variation. At the same time, if we do not exaggerate its proportions, it may seem to contain a fund of illustration as to that phase of human life with which our author's own history mingled itself. The most graceful account of the origin of Brook Farm is probably to be found in these words of one of the biographers of Margaret Fuller: “In Boston and its vicinity, several friends, for whose character Margaret felt the highest honour, were earnestly considering the possibility of making such industrial, social, and educational arrangements as would simplify economies, combine leisure for study with healthful and honest toil, avert unjust collisions of caste, equalise refinements, awaken generous affections, diffuse courtesy, and sweeten and sanctify life as a whole." The reader will perceive that this was a liberal scheme, and that if the experiment failed, the

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greater was the pity. The writer goes on to say that a gentleman, who afterwards distinguished himself in literature (he had begun by being a clergyman), " convinced by his experience in a faithful ministry that the need was urgent for a thorough application of the professed principles of Fraternity to actual relations, was about staking his all of fortune, reputation, and influence in an attempt to organise a joint-stock company at Brook Farm." As Margaret Fuller passes for having suggested to Hawthorne the figure of Zenobia in The Blithedale Romance, and as she is probably, with one exception, the person connected with the affair who, after Hawthorne, offered most of what is called a personality to the world, I may venture to quote a few more passages from her Memoirs—a curious, in some points of view almost a grotesque, and yet, on the whole, as I have said, an extremely interesting book. It was a strange history and a strange destiny, that of this brilliant, restless, and unhappy woman this ardent New Englander, this impassioned Yankee, who occupied so large a place in the thoughts, the lives, the affections, of an intelligent and appreciative society, and yet left behind her nothing but the memory of a memory. Her function, her reputation, were singular, and not altogether reassuring: she was a talker; she was the talker; she was the genius of talk. She had a magnificent, though by no means an unmitigated, egotism; and in some of her utterances it is difficult to say whether pride or humility prevails-as, for instance, when she writes. that she feels "that there is plenty of room in the Universe for my faults, and as if I could not spend time in thinking of them when so many things interest me more." She has left the same sort of reputation as a great actress. Some of her writing has extreme beauty, almost all of it has a real interest; but her value, her activity, her sway (I

am not sure that one can say her charm), were personal and practical. She went to Europe, expanded to new desires and interests, and, very poor herself, married an impoverished Italian nobleman. Then, with her husband and child, she embarked to return to her own country, and was lost at sea in a terrible storm, within sight of its coasts. Her tragical death combined with many of the elements of her life to convert her memory into a sort of legend, so that the people who had known her well grew at last to be envied by later comers. Hawthorne does not appear to have been intimate with her; on the contrary, I find such an entry as this in the American Note-Books in 1841: "I was invited to dine at Mr. Bancroft's yesterday, with Miss Margaret Fuller; but Providence had given me some business to do; for which I was very thankful!" It is true that, later, the lady is the subject of one or two allusions of a gentler cast. One of them, indeed, is so pretty as to be worth quoting:

"After leaving the book at Mr. Emerson's, I returned through the woods, and, entering Sleepy Hollow, I perceived a lady reclining near the path which bends along its verge. It was Margaret herself. She had been there the whole afternoon, meditating or reading, for she had a book in her hand, with some strange title which I did not understand and have forgotten. She said that nobody had broken her solitude, and was just giving utterance to a theory that no inhabitant of Concord ever visited Sleepy Hollow, when we saw a group of people entering the sacred precincts. Most of them followed a path which led them away from us; but an old man passed near us, and smiled to see Margaret reclining on the ground and me standing by her side. He made some remark upon the beauty of the afternoon, and withdrew himself into the shadow of the wood. Then we talked about autumn, and about the pleasures of being lost in the woods, and about

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