Beauty and Human Nature: Elements of Psychological AestheticsD. Appleton-Century Company, incorporated, 1934 - 379 էջ |
From inside the book
Արդյունքներ 43–ի 1-ից 3-ը:
Էջ 111
... become meaningless and empty ; so do dark colors on a light ground . The unique relationship was that of saturated colors becoming active on a dark ground . To test this , color - pairs of black and saturated colors were made and shown ...
... become meaningless and empty ; so do dark colors on a light ground . The unique relationship was that of saturated colors becoming active on a dark ground . To test this , color - pairs of black and saturated colors were made and shown ...
Էջ 194
... become the adequate expression of a new one . If Yankee Doodle is played somewhat too slowly we get the disagreeable effect of an unsuccessful attempt at gaiety ; if it is played very slowly indeed it may cease to be recognized as ...
... become the adequate expression of a new one . If Yankee Doodle is played somewhat too slowly we get the disagreeable effect of an unsuccessful attempt at gaiety ; if it is played very slowly indeed it may cease to be recognized as ...
Էջ 319
... become a dominant feature of the finished work . The medium of poetry is not words in general but rhythmic and vivid ... become an artist ? How does he develop as an artist ? How do specific works of art develop in his mind ? The process ...
... become a dominant feature of the finished work . The medium of poetry is not words in general but rhythmic and vivid ... become an artist ? How does he develop as an artist ? How do specific works of art develop in his mind ? The process ...
Բովանդակություն
CHAPTER PAGE | 3 |
VARIETIES OF ESTHETIC EXPERIENCE | 17 |
TABLE | 19 |
Հեղինակային իրավունք | |
27 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Common terms and phrases
accents æsthetic experience Allesch appreciation architecture artist beauty Beethoven blank verse blue building Bullough centroid character chords combinations complex consonance contrast dark decoration effect emotional equal temperament Esthetics Experimental expression factors Fechner feeling figures film colors give golden section Gothic green harmony hearing Heinlein hues instruments intervals jazz light lines listener literature meaning melody ment minor minor chords minor scale minor seventh mood movement notes objects observers octave Ohio State University painter painting pairs Paradise Lost passage pauses persons phrase piano picture pitch Plate play pleasant poem poetry preferred produce prose Psychol quoted by permission ratio records rectangles References on Chapter regard repetition rhythm rhythmic saturated colors scansion sculpture selections sequence singing single colors sound subjects suggest syllables symphony theme timbre tion tones unpleasant variation varied variety various vibrato violet visual arts vowels yellow