Beauty and Human Nature: Elements of Psychological AestheticsD. Appleton-Century Company, incorporated, 1934 - 379 էջ |
From inside the book
Արդյունքներ 99–ի 1-ից 3-ը:
Էջ 67
... colors of dress goods and stockings , with the aim of producing an impres- sion of variety and novelty which will stimulate sales . Many color names are derived from objects which have the color in question , as " orange " and " straw - ...
... colors of dress goods and stockings , with the aim of producing an impres- sion of variety and novelty which will stimulate sales . Many color names are derived from objects which have the color in question , as " orange " and " straw - ...
Էջ 111
... color to balance the lightening or darkening due to contrast . But contrast effect in another sense persisted , deadening the effect of light colors against a dark ground or dark colors against a light ground . Von Allesch gives an ...
... color to balance the lightening or darkening due to contrast . But contrast effect in another sense persisted , deadening the effect of light colors against a dark ground or dark colors against a light ground . Von Allesch gives an ...
Էջ 152
... color . Because of the importance of color the ordinary half - tone reproductions of paintings are unsatisfactory to those who know the originals and often deceptive to those who do not . Reproduc- tion in color has made notable ...
... color . Because of the importance of color the ordinary half - tone reproductions of paintings are unsatisfactory to those who know the originals and often deceptive to those who do not . Reproduc- tion in color has made notable ...
Բովանդակություն
CHAPTER PAGE | 3 |
VARIETIES OF ESTHETIC EXPERIENCE | 17 |
TABLE | 19 |
Հեղինակային իրավունք | |
27 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Common terms and phrases
accents æsthetic experience Allesch appreciation architecture artist beauty Beethoven blank verse blue building Bullough centroid character chords combinations complex consonance contrast dark decoration effect emotional equal temperament Esthetics Experimental expression factors Fechner feeling figures film colors give golden section Gothic green harmony hearing Heinlein hues instruments intervals jazz light lines listener literature meaning melody ment minor minor chords minor scale minor seventh mood movement notes objects observers octave Ohio State University painter painting pairs Paradise Lost passage pauses persons phrase piano picture pitch Plate play pleasant poem poetry preferred produce prose Psychol quoted by permission ratio records rectangles References on Chapter regard repetition rhythm rhythmic saturated colors scansion sculpture selections sequence singing single colors sound subjects suggest syllables symphony theme timbre tion tones unpleasant variation varied variety various vibrato violet visual arts vowels yellow